In this drama, three generations of the same family work together on a farm in rural France. Elderly Noel takes pride in having worked this land nearly all his life. His son Marc now carries most of the responsibilities of the farm (as well as the debts), and he's starting to buckle under the strain. And Marc's son Nicolas hasn't decided what to do with his life; he has little interest in farming, but he isn't sure where his real talents lie. One day, after helping his cows give birth to new calves, Marc gets word that he must destroy all his cattle to prevent the spread of Mad Cow Disease. This proves the last straw for Marc, and he commits suicide. Noel doesn't handle his son's death well and ends up in a retirement home, while Marc's wife gets a job as a cashier and Nicolas looks for work (with little success) while searching for a beautiful and mysterious woman to whom he gave a ride.

Loïc Le Tallec never really took care of his son. When the latter disappears in a road accident, Loïc is devastated. He has only one idea in mind: to find the one who lives now with the heart of his son. He falls on Hugo, a young man that this brand new heart makes totally unreasonable and uncontrollable. Their meeting promises to be explosive.

Sylvie is a hooker whose illegitimate daughter commits a crime. She and her daughter flee to find Sylvie's first love in the countryside. The daughter is trying to get to know her unwilling mother. Along the way, the two meet a male fugitive and bond with each other.

The movie follows the clock round as music hall clown Beby takes off his make up, goes home for a meal, looks at photos and goes to bed to rise, spend a day in the village and perform with his new partner.

A love between a teacher and his assistant is thwarted, because of their too great age difference.

François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

A documentary on the nine months of pregnancy, from conception to the birth of a human being, alternating computer graphics and interviews with a young couple.

A novelist, an actress, and a struggling young singer all attempt to make their mark in modern day Paris in director Marc Fitoussi's cynical entertainment industry satire. Bertrand is a French literary professor whose students all know that he is shacked up with pretty math teacher Solange despite the couple's best efforts to keep their relationship under the radar. Though no one in the school much cares for Bertrand's prose, self-flagellating student Frederic is the one notable exception. Meanwhile, as Bertrand struggles to deliver his second novel, recent big city arrival Cora finds that her fondness for outmoded songwriters may be having an adverse effect on her career trajectory. While Cora struggles to make ends meet by working at a popular chain steakhouse, even this attempt to remain afloat ultimately proves disastrous.

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

In 1906, Viscount Paul de Barfleur fell in love with Cri-Cri delagrange, a singer at the cabaret "La vie parisienne". But the young man's father separated the lovers, who then married, each on his own... Forty-seven years later, in 1953, Cri-Cri and Paul's respective granddaughter and grandson meet by chance and fall in love with each other. The girl's father disapproves of the affair and is about to put an end to it. But the old Vicomte de Barfleur, who has never been consoled by not marrying Cri-Cri, intervenes in time to save the couple's happiness.

Young doctor Garondet is summoned by renowned Professor Orloff. At Orloff's castle, Garondet discovers that the mad scientist has created an invisible yet murderous apeman.

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.

Simon, a famous violinist, sinks into alcoholism. He finds support from his lover, who is also the manager of the orchestra in which he plays. But is she really helping him or is she exploiting his dependence on her? A man who has been through the same experience as Simon, offers to help him...

The story of the couple from the very first meeting to break up told from a view of a woman, Francoise. The film shares the same plot with "Jean-Marc ou La vie conjugale", that tells the same story from another perspective.