Patrick Perrault, a photo-journalist covering the war in Beirut in the late 1980s, is himself caught up in the hostilities when one day he is picked up and bundled into a car at gun-point. Blind-folded, he is taken to an unknown location where he discovers that he is being taken hostage by Lebanese guerrillas.

A businessman gets depressed when his wife leaves him and he learns that his IQ is very low. A friend, a clown in hospitals, wants to cheer him up.

Dimitri joins La Maison, a place where people are welcomed for whom medicine can not do anything anymore. There he meets Suzanne, a volunteer who is dedicated to supporting people at the end of their lives.

In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.

The stations of Christ's life are segmented into a series of performative tableaux.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Our planet’s lakes make up a huge freshwater reserve delicately balanced between the water that feeds them and the rivers they feed.

A young American falls obsessively in love with a mysterious courtesan named Melania against the backdrop of a dilapidated Eastern European landscape.

Catherine is taken to dine at "Eau de la vie" an opulent cafe known for its unusual entertainment. Her business associates Grant and Sarah intend to initiate her into their sordid society and strip her of her innocence. Catherine must choose from a small group of performers who will entertain the diners for the evening. She selects a young attractive man unaware that the finale of the evenings entertainment will end in his dead. To save the young man she has chosen, Catherine is driven to fight for her own life but oblivious to her struggle the other diners believe it is all part of the evening's entertainment Catherine has to stand alone. They say that evil triumphs when good people do nothing. Eau de la vie is a dark tale of hedonism and individual courage.

In this French-language film, Albin is a mercenary soldier. Sure, he's paid to kill, but he only agrees to jobs where he's killing those who need to be killed. Anyway, he trusts his buddies, and they trust him: in this case with a big haul of money they found in a jungle shoot-out. When he returns to France one of the first things he does, quite by chance, is to go see the act of Le Grande Magic Circus. The circus keeps coming into his life for the rest of the movie, as he tries to live a "regular" life.

A Paris real estate developer feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.

The final installment in director Lucas Belvaux's trilogy follows Pascal, a cop who sees a return to credibility in the capture of escaped convict Bruno--who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own.

Noémie, an experienced screenwriter, meets up with Vincent, her first childhood love, at the film school where he is now the director. Through an extraordinary masterclass where intimacy rubs shoulders with the universal and reality flirts with fiction, Noémie will teach Vincent and his students that the art of writing a screenplay is the art of living passionately.

The Shape Of Life tells the gripping and magnificent tale of the beginnings of all animal life. Using innovative camera techniques to capture rarely seen creatures and breathtaking computer animation to reveal stunning detail, this digital high definition series tells the stories of the revolutionary findings and scientific breakthroughs in biology, genetics and paleontology that are rewriting the book of life. The series celebrates the splendors and struggles of evolution, unveiling eight biological designs that are the underpinnings of nearly all animal life. A Co-Production of Sea Studios Foundation and National Geographic Television.