Five women are about to give birth. They do not know each other, are not alike, but will find themselves in the same maternity to live the best day of their lives. The first contractions at birth, the film traces their journey, between laughter and tears.

Pierre, a successful 33-year-old florist, has his life turned upside down by the sudden arrival of his mother Judith, whom he hasn’t seen for two years. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: bring her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever.

January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

Twenty-something Freddy is becalmed in a podunk French village where the only sign of life is the local amateur brass band and youth aimlessly roaming around the countryside on scooters. He has an intense sexual connection with his girlfriend but has no joy or passion to give her. When she falls for a handsome Arab youth a tragedy unfolds.

One night, Leo, a Spaniard working in Brussels as a subway driver, sees a young man on the edge of the platform, just before he falls onto the tracks.

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

A dysfunctional family is propelled into sudden wealth when Loic, the father, wins the lottery. Despite every piece of advice, the family decides to move into a Geneva Palace where Loic meets Jean-Hubert, an ill-qualified financial advisor who will help him achieve his dream of buying back Montrex, the watch factory that fired his father – but nothing will happen as expected.

Julien Roussin-Côté sets out to discover a new way of life, spending time with a different character. This opens the doors of his home, but also of his daily life. The objective of our adventurer is always the same: to understand the life choices of our “disconnected”, in order to feed his own reflection on his lifestyle.

Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.

Julie Andrews starred in Hollywood productions that have become iconic movies, winning an Oscar for her performance as Mary Poppins, a symbol of the magic of musicals from the 1960s. And yet, behind the squeaky-clean image hides a much more tortuous career, with its moments of glory and tough times, all of which explain the longevity of a story that is still being written.

À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

The documentary series tells of the journey made by Saïd M’Roumbaba (aka Soprano), son of Comorian immigrants born in Marseille’s Northern neighborhoods and now one of France’s most popular artists. It reveals a key element of this success: a friendship “for life” with the three other craftsmen of this saga: Mateo, Mej and Djamali.

About to get married, Stephan visits the prospective in-laws and proceeds to cause chaos.

Separated from her brothers as a child, the now cancer-ridden Mira desperately needs to re-establish the family she has lost.