Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".

Set in the Edo-era, a smuggling vessel runs into conflict between the Matsumae clan and the Ainu in Hokkaido.

Documentary about the life on board Skoleskibet Georg Stage.

The tale of a little toy ship, Aurora, that defies entire fleets of evil Capitalist warmongers.

Jiromaru (Kinnosuke Nakamura) investigates the dark "Ghost Ship" in search of his father. Meanwhile, Princess Yuki (Yumiko Hasegawa) and Chacha (Eiko Maruyama) are kidnapped by pirates, so after dedicating himself to rescuing them for the second time, he decides to accept his grandfather's challenge to become a navigator, just like his deceased father.

As Part I opens, Jubei (Denjiro Okochi), the best of sea skippers, is unable to overcome the stormy seas of Luzon. All hands on board the Kannonmaru were lost except for Shinkei, who alone made his way to land & eventually home to inform his grandson Jiromaru (Kinnosuke Nakamura) that his father Jubei met with disaster. Young Jiromaru tells his grandfather that he doesn't want to be a skipper like his father, but wants to go to Kyoto and become a samurai…

A boy's experiences on a foggy day at Öresund, the water between Sweden and Denmark.

The documentary "Shipwright" tells the story of two old shipbuilders and Macao's shipbuilding industry. Macau used to have a brilliant shipbuilding industry, which peaked in the 1970s and 1980s. However, with the decline of the local fishery and changes in government policies, Macao's shipbuilding industry gradually declined until the last fishing boat was launched at the Lizhiwan Shipyard in 2006, marking the complete demise of Macao's shipbuilding industry. The once-prosperous Lizhiwan The shipyard was also in ruins. In such a big environment, the older generation of shipbuilders changed their job content for the sake of survival, love and ideals, hoping to give more light and heat to the inheritance of Macao's shipbuilding industry.

Anti-film by Mihovil Pansini.

A historical drama directed by Yukiya Sato, and co-written by Rokuhei Susukita and Jiro Okuzawa. Seitarou, who travels from trip to trip, was asked by Fujisuke, who was killed in a mess at the Shinshu Oil Shop's gambling house, to deliver his child Shinkichi to his mother Megumi in the old Iwanjoya in Shiojiri, Shinshu. Megumi was crying day and night, worrying for her child. Masagoro, the boss of the land who had been aiming for the replacement of Iwanjoya, forced Megumi to marry his son Hyokichi. On the way, Seitarou and Shinkichi helped Rohno, who was looking for his fiancee....

Waiting "as if for God", two Russian sailors, Marina and Sasha, look forward to the ice-free season on Lake Baikal, where they transport coal on their barge. This is a precarious business, and they depend on the orders they receive, of which there are fewer and fewer.

Pinku. Trailer here: https://www.youtube.com/watch?v=jkR8isRodzw

On October 3rd, 2013, a boat carrying 500 Eritrean refugees sunk off the coast of the Italian island of Lampedusa and over 360 people drowned. Abraham, one of the survivors, walks through a graveyard of shipwrecks and remembers this nightmarish experience. Meanwhile at the harbor, hundreds of coffins are being loaded onto a military ship.

It is a well known fact that films also have their own poets, but wider audience is not familiarized with one of the most lucid and the most significant poets of films on the territory of former Yugoslavia and that is Mihovil Pansini. The sole reason for his unfamiliarity is the fact that he exclusively worked on amateur films. The fate of amateur film in our country was never (and probably won't be in the future either) publically recognized with enough understanding, even though during the last 50 years it was the only example of authentic avant-garde in the field of film expression. Through Pansini's thoughts and film clips, this documentary is attempting to reconstruct, to some extent, this extraordinary author's amateur film making development.

"As if pictures could think! Einschlafgeschichten doesn't really speak of bridges or railroads but rather of two girls filling the space between daytime and dreamtime with a poetic game, an endless game, a game with no end. A game which can fade out without becoming fragmentary. "Are you asleep?", one of them asks at the end of a clip – and the final shot is of the two, asleep; the game is over. The girls are played by Lara and Anna, Farocki's daughters." - Hans J. Wulff

People are in the habit of searching afar for what is really at arm’s length. In the end, if people are destined to meet, they will find each other.