Heroes of Shipka was the first solo effort for Soviet director Sergei Vasilyev, who had previously collaborated with his late brother Georgi. As head of the Leningrad Film Studios, Vasilyev was obliged to traffic in propaganda, but he never forgot how to make his material entertaining. The film is set in 1887 during the pivotal battle between the Russians and the Turks at the Shipka Pass. Stressing the solidarity of the Soviet states, tribute is paid to the courageous Bulgarian volunteers who helped the Russians fend off their mutual enemy. American critics were impressed by Heroes of Shipka, but felt that the film would have been twice as effective had it been lensed in Cinemascope rather than "standard aspect."

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

The holiday romance of Daniel and Marjana is disturbed by a premonition of an imminent fatal event. In this vision, the beloved accompanies her lover on an arduous and wearisome voyage by sea and when the situation seems most desperate, a mysterious ship suddenly appears on the horizon…

A Shipibo boy is raised by his grandparents in direct contact with the Amazon forest and its inhabitants, whom he respects and considered part of their social environment. Growing up and coming into contact with urban life, the child denies his culture to avoid the discrimination, but, in the end, his vital roots lead him to reconnect with the forest and to reconcile with his ancient traditions.

In a small town in Patagonia (Southern Argentina), a Mapuche Indian chief sets a tourist complex under construction on fire. He denies all attempts to defend himself. Locked up, he waits for the arrival of "Caleuche," the Ship (Nave) of Fools (de los locos), a mythical figure of his ancestral strength which "made" him start the fire. An appointed lawyer (a white woman) comes to the chief's defence, alleging the chief had acted in self-defense as the white man was building commercial structures on the sacred burial grounds of his ancestors, and continued doing so even after heated protests.