As a portrait of a housing project with astonishing shapes (La Maladrerie near Paris), SONGS NEXT DOOR by Flavie Pinatel is a documentary of a different kind, since the protagonists express themselves through songs and not through speech. Implicitly, Flavie describes poetically how people live together in France in 2016.

In April of last year, the mother of a child voluntarily reported child abuse to the police. Monitoring for over a year, a mother who confessed her wrongdoing, the film acts not as an investigative agency, but as a disinterested party which records the point where daily discipline turns into abuse.

New father Jussi wakes up to sounds in the hallway and encounters a homeless alcoholic Pentti. Things are not always as they seem at first glance.

A single mother in a custody battle finds an unexpected ally in her reclusive landlord-neighbor.

An agoraphobic man has to overcome his fears in order to go outside and meet a woman in time.

The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.

In the small town of Reguengo Grande, Portugal lives Bênção, known as the living saint. People come from all over the world to be emotionally touched by this saint. The only problem is that Bênção isn't sure if all this power people believe in, is real anymore and starts questioning everything.

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A group of friends have to deal with the consequences of a game they played.

Hong Kong movie

Concierge Felix is looking forward to a quiet night-shift with his favorite co-worker and secret crush Tanja. Unfortunately she brings a cage to work that does not contain a cuddly pet and draws a group of very peculiar gentlemen into Felix lobby.

The door becomes a turning point in the life of the little girl who lives with her mother.

Shankar (Kishore Kumar) is employed in army and is visiting his village on leave. He is informed that he has lost his wife and father in an accidental fire. His child, Ramu, is unable to talk. Shankar sets off to city to get Ramu treated. Instead, he ends up in Meena's (Supriya Choudhury) house after a quarrel with Thakur leaves him wounded on the road. Meena begins to have feelings toward Shankar and Ramu. Thakur, on the other hand, has plans to get Meera married to his son. The only roadblocks for him are now Shankar and his son Ramu.

In this feature documentary, filmmaker Pierre Goupil, suffering from bipolar disorder, recounts his difficult relationship with the disease and looks back on his journey as an artist in a society that does not accept marginalized people. The film celebrates creation, social ties and the freedom of the individual in the face of all the powers that enslave.

There is an ordinary building in a quite normal environment. Everybody who lives there does, what he or she does in their all day life - again and again and again ...

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

After a party, Valeria wakes up with signs of rape. Her main suspect is her friend, although evidence rules him out. The lack of proofs will mess Valeria's mind in the search for answers. Who was it?

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.