North Africa, 1954. The Algerian war of independence begins, a traumatic and extremely violent catastrophe that for eight long years will shake and finally overthrow the foundations of the colonial regime established by France in 1830.

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchino Rossini penned the masterful comic opera “L’Italiana in Algeri” (“The Italian Girl in Algiers”) in less than a month. The composer’s youthful exuberance comes across in this infectious 1987 performance. Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.

After 62 years of marriage, an elderly couple decides to get a divorce.

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Algérie(s) chronicles the country's struggle for peace, stability and democracy since independence from France. The documentary combines recent and archival interviews, newsreel footage, and recently filmed footage from Algeria to trace the origins of the violence that has left as many as 200,000 dead since 1988. Algérie(s) begins with a brief historical survey of events in Algeria since independence in 1962, and moves on to focus on the democratization process set in motion after the October 1988 riots, the success of Islamist groups in elections, the subsequent cancellation of these elections by the military, and the country's descent into violence, up to the present day. The film provides an excellent overview of recent events and asks tough questions about their causes, and humanizes a conflict that was all too often reported deep inside the newspaper with little more than "score cards" of the numbers killed.

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973