A cardboard box with a pinhole in one end and a sheet of vellum on the backside, so that the sun fluttering among the trees is projected onto it. This moving image edit is derived from about 4 or 5 takes on the day venus was to cross the sun's path. As it turned out I got the day wrong, but it wouldn't have mattered as the image that formed on the vellum was so soft and wispish and the trees were in the way that there was no chance whatsoever venus could be seen passing by.

It tells the story of Ane, who with a visual impairment and fully transition to adolescence, must face the peer rejection, overprotection of parents and, above all, the possibility of not seeing.

Short film made in 2007.

Lily, a film-maker suffering from tinnitus, discovers that her filming is stuck in an infinite loop. She tries everything to get out of it.

A delivery biker buys a used camera and finds some strange images left on the memory card.

A frustrated detective must get his own hands dity in order to vanish the scum off his city

First part of Carmell's Narratives of Egypt (1984-87).

Inhabited by bodies that question love and death to the limits of madness, that are heard but not seen, and vice versa, Camera Obscura reveals a particular form of appropriation of the work of French writer and filmmaker Marguerite Duras. From the intersection of writing, video and sound, and his usual experimentalism, Bonneville creates a film made up of ghosts and mysteriously hypnotic and sensory images.

If Arthur Conan Doyle based Sherlock Holmes on a real person to any degree, it was on his former professor, forensic pathologist Dr. Joseph Bell. This series recounts the fictional murder investigations that Bell might have undertaken with the assistance of young student Doyle.

As a police officer investigates the gruesome murder of her colleague, she discovers that a mysterious supernatural force is behind it.

This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.

A writer haunted by the death of his wife and threatened by the imagined infidelities of his lovers uses his affairs for the subjects of his novels.

Journalist Sara joins timid Victor and pregnant wife Thais, instructors Ivan and Edgar, and local kid Drui in Senegal for some underwater exploration. When their craft blows up following a misfired bullet, they float around in the water for a while before seeing a ship. Their initial relief turns to horror as they see a man being tipped into the water from it but the ship is the group's only option. Hiding on board, things start to unravel for them in a horrific way.

Arthur Conan Doyle reveals the story behind Sherlock Holmes and his mysteries by telling about Dr. Joseph Bell, from whom he drew his inspiration, after meeting him as a medical student in Edinburgh. This TV movie served as the pilot for the later released minisseries Murder Rooms: Mysteries of the Real Sherlock Holmes produced by the BBC. The series then picks up with Sir Arthur Conan Doyle's time as a general practitioner in Southsea, solving mysteries with the help of his mentor, Dr Joseph Bell, who is still based in Edinburgh. The series name in the pilot was Mr Bell and Mr Doyle instead Murder Rooms. Some of the cast of the pilot was also changed in the series.

Paco, a middle-class young man, tells his lover the shady story of his cousin Montse, a social worker.

Friends since childhood, Eric, Dana and Frank have insatiable curiosity about the unknown driving them to experimentation in paranormal. This ultimately leads to an incident that so frightens and overwhelms them it causes a twelve-year rift in their relationship. Now after finding new evidence, the three reunite. It's time to finish their work and put an end to unanswered questions.

When Simon, a ruggedly handsome caretaker, takes a job at the lavish estate of world-renowned L.A. plastic surgeon, Dr. Trent Bortz, little does he suspect that he has stumbled into a nest of Vipers. But this ex-martial arts fighter discovers appearances can be truly deceiving.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Between the end of the 19th and the beginning of the 20th century, Cesare Lombroso was one of the most famous Italians in the world. He measured the shape and size of the skulls of many criminals, and drew the conclusion that their somatic features were reminiscent of the primitive man. He thus developed a new pseudoscience. Through some short docudrama reconstructions and the archive documents by the “Lombroso” Museum of Criminal Anthropology in Turin, the film retraces some of the milestones in the life of the scientist who, to this day, still raises controversy and heated debates.