A psychological thriller about an LAPD crime scene photographer who tries to confront his fears by setting his own boundaries on reality and illusion.

A theater director leads his two actors and his assistant to an isolated cottage in the open countryside in order to better rehearse for their theatrical performance of Heiner Müller's « Hamlet-machine ». Once on sight, the small troupe faces not only the dullness of daily routine, tensions and the usual hurdles of rehearsals, but eventually strange occurrences that turn out to be extraordinary and extreme in nature.

The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

A film made a single batch of 45 pin holes in a 50 cm hollow tube.

This work is based on some excerpts of the film "Instabile Materie" which I realized in 1995. Sorce material were handprocessed 16mm film stripes which I covered with chemicals. In this so called "chemograms" the used substances mostly salts became moulding shapes. Years later I digitized parts of the film frame by frame in high resolution and started with the computer to slow down the speed just to analyse the sequence of events. So arose a morphology of the film emulsion with the embeded substances and a bizarre, strange world full of magic revealed. (Jürgen Reble)

Carl leads a routine life, after being absent from work for several weeks due to a personal tragedy, he begins to receive notes from a mysterious woman who visits him in his apartment. They start a very passionate relationship while Carl neglects his work and friends more. The strange obsession that he has will make him ignore all the strange events that take place in his apartment.

‘Camera Obscura’ is an experimental documentary which draws sounds and images from the Dartington Estate in Devon and constructs an idiosyncratic portrait. Verbal and textual definitions attempt to pin down what it is and play against elusive images. Archive material and re-invented historical events evoke the ethos of the past and combine with stories and contemporary details to illuminate the spirit of the place.

After a war, a poet isolates himself in an abandoned village. He is trying to endure in reality by fighting the traumas from the past.

The similarity between motion picture cameras and projectors is such that if a projection booth is adequately darkened and unexposed film is run through a projector, light illuminating the theater will enter the projector lens and expose the film. 35mm film projectors used this way will record the objects and space before them, exposing the relationship between two fixed elements in the cinema: the projector and the screen. In "Projector Obscura", the lens, which is normally responsible for casting out so many images, is given a chance to take in light and reflect upon its theatrical space, and the screen is given a chance to stand bare.The theaters recorded in this project are the Biograph, the Gene Siskel Film Center, Anthology Film Archives, Gateway, MFA-Boston, Coolidge Corner and Harvard Film Archive.

A voyeur peeps through a pinhole into a snowbound farmhouse where a masked knife-wielding psychopath dishes out bloody revenge at a twisted family reunion between a young woman and the despicable men who could be her "deadbeat dad."

A photographer follows the footsteps of his two grandfathers both army men who died a long time ago, Pierre the legionnaire and Paul the paratrooper. Through them he explores the story of his family, a history bounded by wars, tormented by silences and the unsaid. In an immodest film, he unveils the history of France, a nation at war with itself.

This short experimental film explores improbable chances, the direction of time, a fragility of feeling, and the nature of the universe—as understood within and outside the confines of the Super 8 film frame. Recorded voices are taken from vintage answering machines from Richman films and Leonard Susskind from “Boltzmann and the Arrow of Time.”

In Cosmos Obscura, the universe is at once known and unknowable. New patterns, rhythms and metaphors are born from old ones, and familiar celestial bodies are refracted into strange and unusual forms.

Mingling identity photos taken by the Portuguese political police during the Salazar dictatorship and testimonies from the children of an assassinated communist activist, Luz Obscura invents a form that recreates as faithfully as possible the feeling of a family's broken identity.

A mockumentary series about the world's most obscure artists.