Documentary trilogy about the thorny path of the famous Ukrainian poet, translator, political prisoner Vasyl Stus. Filmed in 1989-1992, it describes the life of the poet, the story of the destruction of the dissident by the Soviet authorities, highlights his influence on Ukrainian society during life and after his death, records the testimony of witnesses, films the liquidated Kuchino camp, in which Stus was imprisoned, the reburial of Stus, Lytvyn and Tykhy in 1989. Consists of three parts: «Come back to me, my memory» (Верни до мене, пам’яте моя), «In the white cold the sun of Ukraine» (У білій стужі сонце України), «Crucified on a black cross» (Розіп’ятий на чорному хресті).

A personal portrait of the director’s grandfather Opa, and his wife's grandfather Ababo, who remained in Venezuela after most of their family emigrated due to the economic crisis and violence in the country.

After the death of his mother, a repressed tv writer is forced to take care of his father who is loosing his memory, obsessed with his wife is still alive and lost.

One day, Mana Aida receives a wedding dress from her mother and grandmother that they had worn in the past. While thinking about who she would wear this beside someday, a mysterious man named Marsh appears, and Mana is thrown back into the past. She was happy to see her grandmother she loved and her old dog Maro, but she then realizes that Alice and Rikka aren't there because memories have been altered. In order to save precious memories, the future, dreams and hope, Mana transforms into Cure Heart.

The person in the photo is my grandma. She passed away… After developing this roll of film, I found out this is the only portrait. My grandma is blurred in this photo. I neither knew the reason what happened to me back then. The distance between me and Grandma has always been so far, and the closest one. It's the moment when our eyes meet in the camera.

These are the whispers of the last time two best friends were together one afternoon on the rooftop.

Each day, some 2.5 trillion bytes of data are exchanged, a deluge known as "big data." How can we classify, store, and give meaning to this mass of digital information? Will our digital society remain capable of producing a lasting memory? Learn the fate of memory storage in the future.

During a cathartic writing exercise, an evocation of childhood and adolescence arises in relation to the mother figure. Thus, a rhythmic text is born that is recited, recorded and made available for listening. An audiovisual reflection in which the filmmaker observes her mother being a mother but also being a daughter.

After his father disappears, a monk’s son spends a day and a night around the temple, where mysterious crystals have recently started growing on a bird’s nest. Intimate conversations, reflections, and a shared meal help him put everything into perspective and let go of the past.

The first full length film to be shot within the disputed Palestinian West Bank "Green Line," FERTILE MEMORY is the feature debut of Michel Khleifi, acclaimed director of the Cannes Film Festival triumph, WEDDING IN GALILEE. Lyrically blending both documentary and narrative elements, Khleifi skillfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.

When the heroine was 10 years old, she witnessed the murder of her parents. Professor Dong proposes complex psychological surgery to rid her of traumatic memories

During the events of Kamen Rider Revice, the amnesiac Hiromi Kadota's friends make a movie to help him regain his lost enemies.

Exclusive Memory Extra Story "Exclusive Memory of Goodbye Love"-senior year, Bai Lin came to the Qingshan College of East Lake University for an internship, and Li Jiahang, who has graduated, entered Bai Lin's life again, taking care of her daily life in every possible way. However, Bai Lin, who has a low self-esteem, has not dared to face Li Jiahang's feelings. He wanted to make good grades in the internship and then respond, but was designed by a new friend at the critical moment of getting results, and lost the opportunity to achieve results. After reflection and precipitation,

Ken works night shifts at the local gas station. One night when he is reminiscing about his childhood in this once-thriving town at work, Long Foot, one of his close childhood friends, shows up. What should have been a happy reunion turns into a melancholic self-examination as Ken is reminded of an unpleasant memory that he never wants to face again.

Roland, a retired engineer, gets an iPad from his family to keep him updated in the modern digital world. Instead of digital euphoria the new technology breaks him down in to bits. Roland longs for the the world that he understood and for love of his ex wife that still cares about him, but left him when the world was still analogue.

January 22, 1932. An unprecedented peasant uprising erupts in western El Salvador, as a group of Latino and indigenous peasants cut army supply lines, attack a military garrison, and take control over several towns. Retribution is swift. After three days, the army and militias move in and, in some villages, slaughter all males over age 12. Elsewhere, they summarily execute anyone suspected of having a link to the Communists. Over the next few weeks, 10,000 people are massacred.

NANJING: MEMORY AND OBLIVION uses archival footage and photos, interviews with Chinese survivors and eyewitnesses, former Japanese soldiers, and both Chinese and Japanese government officials, historians and lawyers, to document the events of "The Rape of Nanking" and to show how the interpretation of this history has become politicized.

What can an old apple tree tell us? What mysteries are hidden in his roots, gnarled over time? Does he remember the serpent and the lost Paradise? Our body remembers more than we can expect and imagine. It remembers the sorrow and pain of our predecessors. It keeps alive the stories of our parents and grandparents as well as their ancestors. But how far back is it possible to go in your bodily memory? The stop-motion animation BODY MEMORY takes as its central concept the idea that our body remembers, not only individual experiences, but also the sorrow and pain of our predecessors. A powerful visualization of subconscious processes and the hidden horror of deportation. Inspired by historical events: the Soviet deportations from Estonia in the 1940s.

Ayla, a young shepherdess, erects a burial to a drowned dead woman, trapped in solitude and oblivion on the depth of a lake. A mysterious white horse will guide her.