This film takes a dive into a photographic archive that portrays the 1968 student movement in Mexico. By reviewing over 1300 photographs of students, soldiers and citizens, and the development of a movement inside the Mexican capital, marked by the massive uprisings and the government's repression, the film questions the relationship between memory, power and representation.

Antonio, a pub owner and a photographer, returns to his home village, Pacios, in the countryside of Galicia, in Spain. After his father's death, the family home is empty, as so many other houses at the village. He spends some days with his old neighbors. He portrays them with an old plate camera, in order to pay tribute to the memory of this place, kept in these people's faces. Directed by: Manuel Darriba

Inspired by the true story in the book by Linda Spaulding. Twenty years ago, Sally Linden sat on a jury in the trial of Theresa Nichol, a young woman accused of murder. They were close in age, and perhaps because of that, Sally saw the mistakes of her own life reflected in Theresa’s plight. She became convinced that the case against Theresa was not being proved beyond reasonable doubt. Twenty-some years later, Sally finds the notebook she kept throughout the trial. She's again at a crisis in her life where she feels she cannot keep running away: from herself, from her family, from her marriage, from her past. She searches for Theresa, and finds her still in prison. Seeking at first only to atone, Sally develops an intense bond with Theresa, writing about her and gradually becoming convinced that an outrageous miscarriage of justice has taken place.

One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.

One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.

Franco’s dictatorship, one of the longest and most violent dictatorial regimes in the history of the 20th century, has been kept silent by Spain since the transition and the recovery of democracy. In December 2007 following the approval of the controversial Historical Memory Law, whereby the Spanish government finally intends to lift the veil over this dark period, and thus do justice to the hundreds of thousands of victims of Francoism. From this starting point, the filmmaker José-Luis Peñafuerte (grandson of exiles) takes us on an authentic film journey through the roots of that hidden European memory, in order to open a window against oblivion.

An older, gay artist reminisces about a doomed love affair from the Nazi concentration camps. He prepares to paint a last portrait seeking a young model. Something is odd about the whole encounter, both uncomfortable and uplifting.