After the Islamic revolution of 1978 in Iran and the transformation of the political structure of the country, new censorship codes were introduced which were mostly aiming at the elimination of women and to push them to the background. However, the new restrictions didn't stop women from making films. In her autobiographical film essay, Afshar as a filmmaker in exile takes us into her garden shed and narrates one century of resistance of the Iranian women filmmakers who gave life to the sublime, lustrous art form of cinema.

To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.

Based on 'Death of a Man in the Balkans (2012)', an original feature film of Miroslav Momcilovic, 'Sorria, Você Está Sendo Filmado' ('Smile, You're Being Filmed') tells the story of a suicide, in only one shot of 80 minutes, from the perspective of a web cam which only the suicidal knew was on, giving the viewer the feeling of watching everything from his window. "From the screenplay to the shooting, we are doing a kind of reality cinema," sets this movie director Daniel Filho.

A documentary readymade about family lore and chocolate biscuits.

An odd director leaves for Hollywood to shoot a film via Skype and cellphones. 14 actors and actresses are devastated after being dumped by the director. Now, the 14 actors and actress prepare for the counterattack.

Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR

Film made with a tiny pinhole camera and 16mm film.

Like someone. Flushed face. Can’t hear anything. Helpless. Sad. Learned how to operate a polaroid camera.

Smile! Candid Camera's back with all-new gags drawn from today's headlines that put unsuspecting people on the spot and deliver smiles and laughter to a new generation. Tune in to TV Land and laugh more with Candid Camera!

Hidden camera with Fouad Al-Mohandes

A foreign filmmaker invades the life of her neighbour Bjarne, who unwillingly becomes the main character in a documentary about himself.

Frida, 19, works as a park-keeper, picking up what others leave behind. One day she picks up a video camera. Soon, filming becomes a passion and a way of eying the world around her. With her best friend as companion, and the camera as weapon, a journey through adult society is about to begin.

A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Do our eyes perceive all that there is to this world? Sometimes the camera seems to pick up more than we can see with the naked eye. In the 'PSC' series a team of ghost-hunters analyzes authentic paranormal footage captured on home videos and surveillance cameras all across Japan. Ninth entry in the PSC series.

A couple of young movie makers have secretly filmed for over a year what was going on in a hotel room, trying to realize a "live act" of common people living their life. They get in touch with old and money-tight producer Mengaroni to edit their movie, but while they contact the accidental actors for gathering authorization, he starts to manipulate their work.