In L’operatore perforato (1979) that plump sprocket hole comes into its own. It multiplies like a virus, riding serenely on the surface, nearly obliterating the images trembling underneath it. Near the close of the film, we watch another cameraman, perhaps shooting a Fatty Arbuckle imitator, cope with the invasion of perforations, not only from the top and center but from the edge. By now, when we can hardly tell the difference between frame and perforations, cinema’s two round-cornered rectangles, the image can be anything—a picture, or a zone of blank white.

A documentary behind the scenes of Ingmar Bergman's The Magic Flute.

A filmmaker with three names—Hinatsu Eitaro in Japan, Huh Young in Korea, and Huyung in Indonesia—is known as the director of the lost film You and I (1941). Presented here is a retrospective look at a filmmaker who was a victim of his time.

Mr. Koo is a miserable salary man in Seoul. His hobby is taking pictures on the weekends. While on a trip, he takes a picture of speculators. They take him on a fancy outing, mistaking Mr. Koo for a reporter. After that, he pretends he is a reporter but gets beaten up by a group of workers on strike because he carries a camera.

This film is the first work of "grained time" series. What I want to express with this series is disassembling and restructuring the human sense. When we focus to one object, we can't feel other objects. I try to express this feeling with many still images taken from many little different positions. The many pictures vibrating randomly converge into one average image. This method is an imitation of depth of field of optical lens. Please feel the comparison between the human looking and the camera focusing.

Young filmmaker Tanja receives money to shoot her debut film.

Do our eyes perceive all that there is to this world? Sometimes the camera seems to pick up more than we can see with the naked eye. In the 'PSC' series a team of ghost-hunters analyzes authentic paranormal footage captured on home videos and surveillance cameras all across Japan. Third entry in the PSC series.

Summer 2021, in Damascus city, some young emerging directors roamed the city's streets to follow their dreams and shoot their first movies with the simplest available tools. so, the city would open her arms and hug them day and night with her streets and neighborhoods.

Rafa Caicedo is known in Quibdó as "the young man with the camera". This Chocoano directs and produces a successful web novel with more than 70 chapters, which portrays in its fictional stories and rhythm a little of the life of the Colombian Pacific.

The film shows us the unknown face of TV world through a very popular show in Turkey called "Marriage with Esra Erol" aiming to marry people in front of the camera.

A trip of the director with her camera through the city. It’s a movie about cinema and the people that are in it, trapped. It’s like a box where the director keeps the objects of her life, her story and her anxiety, almost without opening it, a movie to be made, surrounded by fear. There is her family lying in a garden of nails, the womb, the city where at any moment, by chance, you can meet a monster.

GIRLS or FU MI KO #4.

Short film made using a pinhole camera

“A person has to have something to live for”. Pentti is a 94-year-old widower who steps into a new phase in his life having found filmmaking – and the feisty Lea.

The life and work of the filmmaker Nikos Kavoukidis, through personal stories and documents. At the same time, the history of Greek Cinema unfolds, since cinema has always been a way of life for this cinéaste.

'Making-Of' Kudo's special self-shot Photobook.

Various Sayu 'Off-Shot' from DVDs, Lives, Rehearsals, Hawaii trip, photo-shoot, FC Events, and 'Behind the Scenes' final concert footage.

"I destroy an old Super 8 camera for science’s sake." –T.F.