In the heart of the Ariege Pyrenees, Patrick Chêne, a farmer and osteopath, cares for humans and animals with his hands and diphonic song. The vibrations of his singing radiates through the body and acts like an acoustic probe, showing a sensitive world full of invisible energies that make and form life, building our link with Earth and our environment.

This birth of the human silhouette metonymically takes us back to the origins of cinema, to Marey or Muybridge’s pre-cinema. Baért with his model wanted to re-find the dancer Loie Fuller’s aerial movements such as one can see in Fire Dance (1901). This research for origins continues with the malleability of the ‘imprints’ of the dancer and the circulation of materials and lights.(…) Imprint plays, from the point of view of form, with the material, the identity, the hybridization between film and skin, material and light (…), towards the constitution of a new organism where skin and celluloid acquire an even esthetical status, a true melting pot of malleable images and thoughts.

In this documentary, Benjamin Bourigeaud recalls his seven years journey as a Stade Rennais FC player. He walks around the Roazhon Park, an opportunity to speak about his memories, his emotions and anecdotes. A gifted player, a generous man, a leader : discover « Bourige » as you never saw him.

The life of workers and their families in a construction site of a highway in 1965.

Elsa Valentin is in the middle of a brutal divorce and custody battle when she is struck by the appearance of a pretty young girl named Lola (Héloïse Cunin). Her interest in the child grows to an obsession, and she finds any possible excuse to be near her. When Lola's mother, Claire, grows unnerved by all this, Elsa admits she believes Lola is her daughter.

Jacques de Nisson, a rich man, has a new mistress, Lucie Cavelier. Which does not prevent him from courting Florence, the wife of his lawyer friend Forestier. One day, Jacques is found murdered and chief-inspector Candély is sent on the spot to investigate. Jean, the victim's butler, Lucie as well as Florence are suspected in turns but the real murderer is finally identified thanks to his fingerprints.

1951. André Bazin and Jacques Doniol-Valcroze founded "Cahiers du cinéma". With contributions from self-taught filmmakers (Jean-Luc Godard, François Truffaut, Claude Chabrol, Éric Rohmer, Jacques Rivette...), the magazine revolutionized film criticism and gave birth to the leading figures of the Nouvelle Vague.

A César nominated short animation that satirises the pressures of social conformity.

The intersection of multiple realities will be a little too late. A general considers his son to be a deserter since there is no other option for him but to serve in the German army because of naturalization. Until the last moment, the son continues to oppose the German army, unfortunately without the father knowing.

Considering his wife as his property, a smuggler bullies the unfortunate woman and does not allow her to turn to another man.

It's summertime in rural France. A charismatic stranger happens upon three teenage boys. He has a gun in his car. Are they ready to go for a ride?

A bakery in Herat in Afghanistan. Twelve hours a day, seven days a week, a dozen employees and apprentices repeat the same gestures, while the camera raises questions about the outside world, about images.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

"You are worse than her. You won't even give her a chance." "That's just it. Maybe she should have given it more thought. If we hadn't been born, she would have been free. She wouldn't have had to take off." "And we wouldn't have been there. Would you have preferred that?"

Hélène, a woman living alone in a suburban house in 1976, is confronted by her past when her husband suddenly reappears after going away for a year and a half to write a novel.