In 1910, Hong Kong, under the rule of the British Empire, is a prosperous and bustling city, but, hidden in the shadows of its many narrow streets, the hideous members of the Red Dragon gang, a branch of the evil Chinese secret society of the Tongs, lurk and murder those who oppose to their tyranny, which thrives on vice, crime and the fear of the weakest.

Spies force former jewel thief Michael Lanyard to steal defense secrets in Washington.

The gory ax-murder of one mousy, suburban Texas housewife by another is nearly as shocking as the excuse offered by the bespectacled defendant's attorney: self-defense.

Sassy manicurist Eve Fallon is recruited as an even more brassy reporter and she helps police detective boyfriend Danny Barr break a jewel theft ring and solve the murder of a baby.

Portrait of Jean-Louis Trintignant, for the "empreintes" collection, produced by Pierre Bouteiller and written and directed by François Chayé.

This exceptional, disturbing, and thought-provoking two-part documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. The four-hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country. Preserved by the Academy Film Archive in partnership with The Film Foundation.

A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that guest were serious, this man tries to steal one of her fathers rubin, and she and her fiance are kidnapped and brought to a house, where strange things happen. The whole thing becomes a nightmare under the direction of a mysterious Mr. Satan.

While shooting an advertising film in Spain, Jean, the director, meets Ines, a passionate Spanish woman who becomes his companion and lover. On the same night of his arrival in San Sebastian, the director is visited by a woman who, recommending herself to him, ends up in his arms.

In this non-narrative animated film inspired by composer François Couperin's harpsichord composition "Barricades mystérieuses," Jacques Drouin explores a whole new way of using the pinscreen to create animated images. He pivots the screen and uses low-angled light to capture images in high relief. The result is like a sculpture whose expertly modelled forms are revealed through film. A film without words.