A young couple moves into an apartment previously occupied by a religious cult. What horrors remain in these halls?

Contains: "Mr. Duck Steps Out" (1940), "Cured Duck" (1945), "Dumb Bell of the Yukon" (1946), "Sleepy Time Donald" (1947), "Donald's Dilemma" (1947), "Donald's Dream Voice" (1948), "Crazy Over Daisy" (1950).

"a film that looks forward to the many collage films Burckhardt has made in the last two decades. Shot in Maine in black and white, it demonstrates Burckhardt's ability to take seemingly slight subjects -- flowers, fields, a pond -- and invest them with consequence by the simple act of looking. Instead of thinking about a daisy, compiling a list of its literary references, and planning a rise-and-fall drama based on a mental construct, Burckhardt simply sets out with his camera and films. As he shoots, he goes closer and closer to his chosen subject, putting the viewer into a trance, intoxicated by textures of petals, the myriad-flowered center, the unchoreographed dance the daisy makes on a breezy day. " - Mobile Homes: The Art of Rudy Burckhardt, Institut d'Art Modern, Centre Julio González, Valencia, Spain,1998.

A man follows a woman through a mysteriously empty world towards a profound discovery that alters his sense of reality.

In 1977, Daisy Jones & The Six were on top of the world. Fronted by two charismatic lead singers — Daisy Jones and Billy Dunne — the band had risen from obscurity to fame. And then, after a sold-out show at Chicago's Soldier Field, they called it quits. Now, decades later, the band members finally agree to reveal the truth.

A horror short film.

Kaede (Nozomi Sasaki), Kaoru (Natsuna Watanabe), Michiru (Shoko Nakagawa) and Emi (Eri Tokunaga) are childhood friends. The four women meet again on Emi's wedding day. But on that day, the company Kaede works for goes bankrupt and her boyfriend dumps her. She is about to turn 30-years-old. Kaede decides to follow her childhood dream and become a baker. She gets a job at bakery, but making bread is not easy and the senior baker is strict. Meanwhile, Kaoru work at a luxurious massage salon. Michiru makes handbags, but she is poor. Emi is experiencing newlywed life. What will tomorrow hold for these women?