Ce Qu
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Ce que cherche Jacques
Titre original: Ce que cherche Jacques ( Film )
A moral adventure: one sees friendships being born and being discarded, under the pressure of avowed authorities such as the family and the prejudices it states, or unavowed as the economy that no individual alone expresses.
Après tout ce qu'on a fait pour toi
Titre original: Après tout ce qu'on a fait pour toi ( Film )
Divorced parents are concerned about the behavior of their teenage son who is rebelling against society.
Fukushima - Et si ce n'était que le début
Titre original: Fukushima - Et si ce n'était que le début ( Film )
Je ne vois pas ce qu'on me trouve
Titre original: Je ne vois pas ce qu'on me trouve ( Film )
24 hours in a man's life who became famous. He returns in his childhood's city after 30 years of absence
Françoise Sullivan: ce pas qui vient de soi
Titre original: Françoise Sullivan: ce pas qui vient de soi ( Film )
Ce qui se cache derrière un sourire
Titre original: Ce qui se cache derrière un sourire ( Film )
Tout Ce Qui Grouille sous la Mer
Titre original: Tout Ce Qui Grouille sous la Mer ( Film )
A young man comes back to the island and his childhood house. There he meets and desires a girl. But is she family, and/or a metamorphic creature from the sea. What's in the basement. Will he have to confront his terrible father.
What Is a Good Tax?
Titre original: Qu'est-ce qu'un bon impôt ? ( Film )
Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
Michel Leeb - Qu'est-ce que sexe ?
Titre original: Michel Leeb - Qu'est-ce que sexe ? ( Film )
Ne sais-tu pas quel est ce jour sacré ?
Titre original: Ne sais-tu pas quel est ce jour sacré ? ( Film )
Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)
Anna, what are you waiting for?
Titre original: Anna, qu'est-ce que t'attends? ( Film )
Modern Americans think that the movies learned to talk in 1927 when Al Jolson opened his mouth in THE JAZZ SINGER, but sound pictures had a much longer history. Edison envisaged combining the phonograph with motion pictures even before they had been perfected and there is a test sequence from 1895. By the time this 'phonoscene' had been made, Alice Guy had been directing a series of them and there was a series in production in Germany, too. Yet true synchronization remained a problem, what with records wearing out and film breaking until the perfection of sound on film itself.
The World is All What Happens
Titre original: Le monde est tout ce qui arrive ( Film )
Quand est-ce que tu atterriras?
Titre original: Quand est-ce que tu atterriras? ( Film )
a French music group stagnates in a house, waiting for their Mexican singer, who has been missing for several days
You Speak of Chile: What Allende Said
Titre original: On vous parle du Chili : Ce que disait Allende ( Film )
Salvador Allende interviewed by Régis Debray in 1971.
Qu'est-ce qu'ils ont fait au bon Dieu ?
Titre original: Qu'est-ce qu'ils ont fait au bon Dieu ? ( Film )
Ce Qui Nous Lie
Titre original: Ce Qui Nous Lie ( Film )
Ce que je vois
Titre original: Ce que je vois ( Film )
Qu'est-ce que je fais là?
Titre original: Qu'est-ce que je fais là? ( Film )
Où est-ce qu'on se "Mai"?
Titre original: Où est-ce qu'on se "Mai"? ( Film )
Documentary about feminist protests on the 1st of May of 1976
Drawn from the Shadows
Titre original: Voir ce que devient l'ombre ( Film )
Fred Deux and Cécile Reims are major twentieth century artists. Over a period of several months, Matthieu Chatellier filmed them in the privacy of their peinting and engraving work. The film focuses on a precise time in their lives: the time of ageing, dispossession and questions about the hereafter.