The WWF is the largest environmental protection organisation in the world. Trust in its green projects is almost limitless. Founded in 1961, it is the most influential lobby group for the environment in the world, thanks largely to its excellent contacts in both the political and industrial spheres. Behind the organisation’s eco-façade, the documentary maker uncovered explosive stories from all around the world. A year in the making, this film is a journey into the heart of the green empire and may shatter public faith in the panda forever.

Pixar director Peter Sohn takes viewers on a humorous personal journey through the inspiration behind Disney and Pixar’s feature film “Elemental.” “Good Chemistry: The Story of Elemental” traces his parents’ voyage from Korea to New York, explores his dad’s former grocery shop in the heart of the Bronx, and delves into his choice of a career in animation, rather than the family business.

John, a disillusioned Vietnam War journalist, turns to heroin smuggling. He cons Ray, an equally burnt out veteran into delivering the drugs stateside to his wife. Everything soon falls apart and Ray ends up on the run with John's wife trying to evade crooked narcotics agents.

Buttercup, annoyed with all of Forky's questions, speed teaches everything there is.

Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.

Mr. Pricklepants tells Forky about the complexities of being an actor and the art of performance.

Trixie explains to Forky what a computer does as they experience the common stresses of technology.

Forky attempts to understand the concept of love from Bonnie’s elder toys who believe they’ve been there, done that.

Forky shares his thoughts on what makes a good friend based on his limited exposure to the world inside Bonnie’s house.

In Shimizu’s sequel to his 1948 masterpiece, a journalist arrives in the secluded foothills of Izu to find a hidden commune to ask, “What happened to the children of the Beehive?” Three years have passed and her question situates itself not only in the realm of Shimizu’s craft, but that of reality: What became of the war orphans Shimizu raised?

The energetic Peas-n-a-Pod siblings teach Forky about reading and how it is done, with a little help from Mr. Spell

Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.

Dolly teaches Forky about the qualities of a good leader, and Forky puts those qualities to the test!

A freshly married, harmonious couple - Patricia is Swiss, Ikendu is from Mali - is forced, as a result of the Ikendu's unexpected arrest, to deal with each other's dark sides, which is painful, but ultimately makes the relationship more mature.

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Forky meets Rib Tickles and finds her charming and pleasant, only to be schooled by Rib on the dangers of law enforcement.

How can we best meet every earth citizens need for healthy food facing our limited resources? Regarding the almost 10 billion humans living on earth by 2050, we have to decide now how we want to shape the future of agriculture.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.