A profile of two ambulance drivers in Geneva over 300 days during the COVID-19 pandemic

In 1939, in a maternity ward, a young man visits his mistress who has just given birth to a little girl. He tells her that he is married and that for him the outcome of this adventure was not really planned. The mobilization separates them but the young man will end up divorcing and with the relentless help of a friend, will find his mistress and his child and will be able to marry her in spite of the chaos of the war.

Made-for-TV biopic directed by Marco Ferreri.

They are barely 20 years old. They are robust, fragile, skilful. They are Allia, Hamza, Killian and Maélis. They spend time saying themselves, naming what they are, hollow and full. Vox Clamantis in Deserto and we are listening. The film is their imprint.

A chronicle of queer lust set against a greasy metallic environment of the last days of a factory that is about to shut down. Among the workers forced to idle away until the end of the week, Jacques, a young technician is busy dismantling a machine while, without noticing it, turning on some of the men around him!

Ils s’appellent Azouaou, Abderhamène, Louise, Shana, Kyria ou Yanis, ils ont entre 3 ans et 4 ans quand ils commencent à discuter librement et tous ensemble de l’amour, la liberté, l’autorité, la différence, l’intelligence… Durant leurs premières années de maternelle, ces enfants, élèves à l’école d’application Jacques Prévert de Le Mée-sur- Seine, dans une ZEP de Seine-et-Marne, ont expérimenté avec leur maîtresse, Pascaline, la mise en place d’un atelier à visée philosophique.

Long-time friends Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s, the age when anything is possible. They are just embarking on their careers. Then one fine summer day, Yan is involved in a fatal car accident. The young man is killed instantly and the rest of the gang is thrown into turmoil.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

They are at work. The employees of a factory, which produces 800,000 car parts a day, and composer Nicolas Frize, who invents his musical creation alongside the workers inside the workshop. Each in their own way talks about their work. And each, in their own way, also asks : just what is this work ?

This documentary follows the singer Kiddy Smile and his dancing friends, figures of the Parisian ballroom, following the national scandal after their performance during the Garden Party of the Elysée Palace. We immerse ourselves in their daily lives. All of immigrant origin and from the LGBTQI+ community, they assert themselves through their art in the fight against racism, homophobia and sexism. They dance to assert themselves, to free themselves, to assert themselves and to appropriate their identity.

A woman struggles to mitigate her young adolescent son's dubious contact with another child at the neighborhood swimming pool.

A young boy raised by his grandmother finds her dead one morning.