The four members of Milky Holmes are going on a study tour. While soaking in the hot springs among snow monkeys, alarms interrupt the relaxing environment! It was the work of the Thief Empire. A fierce battle between Milky Holmes and the Thief Empire begins, with both sides using their Toys (special powers). Furthermore, with the arrival of the Genius 4, a three-way fight occurs! In the midst of battle, a violent lightning strikes from the sky. Struck by the lightning, the four Milky Holmes girls lose their abilities.

A wealthy man murders his wife, then marries a young woman who becomes suspicious of him.

Hitler and Mussolini were able to assist each other in achieving their respective designs. But when the conflict came to a head, the realities of war soon tore the mask off of their united front. Two nations with totally different cultures had sworn allegiance to each other, but their divergences would soon make themselves abundantly clear. The idea of the film is to examine Italy and Germany's false alliance, particularly from the point of view of Mussolini, the less powerful of the two despots, and therefore the more inclined to believing in castles in the air. Their relationship is film-worthy in and of itself, but in addition, it tells the history of World War II, seen from the "enemy's" point of view. It will lead us to address certain aspects of the conflict that are less well-known, but no less rich in what they have to teach us.

Tales of opera.

It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

Kite performing on the Royal Opera in Stockholm, 2019. Concert film.

Federico finds his father dead and calls his brother, who decides to hire a medium to get in touch with the dead man. However, their father now seems to love opera.

Villagers of Kovilj grow cattle on the Danube islands. Marko, an owner of ten horses, around twenty cows and other cattle is a good friend with a Roma named Kamer, who helps him sell the cattle at local fairs. Željko, a young horse breeder leads the villagers when they try to save the cattle in the spring of 2006 from the big flood. An attractive waitress Ana rivets attention of the young men from Kovilj. Life and work close to the Danube connect the Roma people and the locals, and together they show up at the village gatherings (birthdays, patron saint’s days). After unsuccessful emotional relationships, Ana and a couple of her friends decide to leave the village and seek happiness on the other bank of the Danube.

A dancer prepares, and dances in a stonework basement. Set to "Take Me to Church" by Hozier

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

ETOILES: DANCERS OF THE PARIS OPERA BALLET celebrates the legacy one of the best ballet companies in the world by weaving together rehearsals, tour snapshots and performances of classical ballets such as Swan Lake and La Sylphide, as well as contemporary works such as Maurice Bejart's Ninth Symphony, Jiri Kylian's Doux Mensonge (Sweet Lies) and Pierre Darde's Orison. Celebrated filmmaker Nils Tavernier endeavors to understand the psychology of dance by talking candidly with some of the biggest stars in dance today. The film also features interviews with the dancers who explain how and why they endure the emotional and physical hardships of their profession in their intense drive to be on stage.

A classic returns to the Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia– a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.

Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.