After some pushing by Irene and her father and a lack of support otherwise, Kokoro stubbornly quits her job as a police detective to become an idol. She soon finds the idol life draining and starts to miss her old detective life. When Henriette notices Sherlock's loneliness without her, she stages a statue theft in order to convince Kokoro to return to the force.

Invited for a anniversary celebration, Kindaichi, Miyuki and inspector Kenmochi re-visit the Opera House. There they discover that a play of The Phantom of the Opera is being rehearsed again. However, it doesn't take long when members of the acting troupe are killed by the Phantom. Kindaichi will once again have to solve a murder series in the Opera House.

Macheath (Mack the Knife), notorious bandit and womanizer, runs afoul of Jonathan Peachum when he marries Peachum's daughter Polly in a ceremony of doubtful legality. Peachum's resolve to have Mack sent to the gallows is complicated by the fact that Mack's old army buddy is the chief of police, Tiger Brown. Peachum and his wife commence a series of strategems to ensnare Mack: bribing prostitutes to turn him in, exercising their influence over the police, and ultimately threatening to ruin the coronation of Queen Victoria by having all the beggars in London (whom Peachum controls) line the parade route. Mack is imprisoned, escapes, and is imprisoned again. When his hour of execution arrives, however, a mounted messenger appears with the Queen's reprieve, which includes a baronetcy and an annual pension of 10,000 pounds.

Valeria fights with her boyfriend on the phone, while a roller coaster of inexplicable emotions arises in her room.

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and his fascination with this "giant ridge" that he characterizes as the "Asian time preserve of Russia." This is followed by thoughts about the past, present and future of opera and theater. He thinks that in earlier times opera could be a vessel for utopia, but now it is like a fraudulent enterprise: "When everything has been said, the voices become soft and then the opera comes."

In this surreal drama, a Young Victim invited to an immersive operatic production led by the Famed Fiend, a collector and protector of talent, finds himself infatuated with the Tempestuous Tigress, a young woman and the favorite performer, who wants nothing but to escape.

Richard Wagner's opera Lohengrin staged in 1987 by Werner Herzog in Bayreuth.

The first musical adaptation of the anime Pretty Boy Detective Club, known in Japan as Bishōnen Tanteidan.

The film documents the production of Anna Ķirse’s contemporary opera in the forests of Finland.

A trip across various parts of the world and of other times to understand my ideologic heritage and what to do with it. Opera Prima is my first look at the world that becomes a mirror in which to recognize myself.

Experimental film by Gábor Bódy. A woman sings in German on the left as text flashes on a separate frame on the right-hand side of the screen.

A concert with André Rieu which takes place in one of the most beautiful opera houses in the world, the famous Semper Opera in Dresden. As well as the famous ‘Vienna Debutantes’, there are 40 fabulous pairs of dancers from the same Elmayer Dance School in Vienna, the sopranos Mirusia Louwerse and Carmen Monarcha, the Platinum Tenors, baritone Morschi Franz and the Johann Strauss Orchestra and Choir. The audience at the Semper Opera are not just enthusiastic, they are delirious... carried along by the beautiful waltzes, the fiery paso doble, the gorgeous arias from opera and operettas, humorous scenes, and moving songs from The Phantom of the Opera. Dancing Through The Skies - A better party atmosphere than this you cannot imagine!

A somewhat perverted man who has a peculiar interest in hair starts dating a female artist who opens her own exhibition of pubic hair gathered from men she had slept with. Their abnormal relationship is established by exchanging visual letters shot on 8mm.