Set in a futuristic world, there exist "Toys" which grant people superhuman abilities. This is responsible for a wave of crimes and necessitates employing Toy-using detectives to help solve them. Opera Kobayashi runs a detective agency, Milky Holmes, staffed by four aspiring young girl detectives who attend the Holmes Detective Academy, and each girl possesses their own unique Toy.

Sayed Abdel Hafiz, famously known as Sayed Opera, is a lawyer famous for the schemes that he uses to defend criminals and drug traffickers. Aida is a skilled doctor who lives in a simple house after her father lost his wealth because of one of Sayed's tricks, until the paths of Opera and Aida cross.

Isabel is a promising screenwriter who has dedicated her life to become a writer for a hit telenovela. When she finally gets her chance, her mentor Lauro Valente betrays her. At the premiere, Isabel decides to confront him and magically ends up in his telenovela as the main character. From the inside, she will be able to prove her creativity.

First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)

A Taiwanese opera family spanning generations sticks together and travels around the island to earn a livelihood. On and off the traveling stage, they savor the flavors of life and experience both joys and sorrows. Fearless of hardship, they fight together with resilience, presenting the story of their remarkable lives woven with laughter and tears both on and off the stage.

A series of terrifying accidents and brutal murders leave a bloody trail into the subterranean caverns of an Opera house. Below the theatre stalks a man raised by creatures of the underworld.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Short by Bernhard Dörries, Edgar Reitz and Stefan Meuschel.

An assassin fends off numerous attacks from her comrades, who are trying to move up in rank by killing off the competition.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.

In 1913 Beijing, three fierce women—disguised rebel Tsao Wan, jewel-seeking Sheung Hung, and opera heiress Pat Neil—embark on a daring quest filled with intrigue and betrayal, challenging societal norms amidst political turmoil and the vibrant world of Peking Opera.

A theater troupe's young, energetic leader has secured an old theater in which to produce his new production. The theater's elderly caretaker urges the group to leave at once. A vampire is awakened and discovers that one of the troupe is the reincarnation of the woman who he once loved.

Moscow, early 20th century. The stray dog Samson, running away from animal catchers, finds himself in the Bolshoy Theater. So the main character gets acquainted with the dog of the prima ballerina, after which he helps to return the stolen decoration of the hostess.

When the kooky tenants of an apartment block experience a sudden and shocking situation, they let their private lives, past secrets and crazy passions intervene as the confessions and absurd twists come thick and fast. Previous lovers, wild accusations, a possible murder and more boil to the surface days before New Year’s Eve, but can they even make it until then?

The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.

In An Opera of the World, Malian scholar and filmmaker Manthia Diawara reflects upon the refugee crisis and the relationship between Europe and Africa. The film revolves around a 2008 performance of Bintou Were, a Sahel Opera, by Zé Manel Fortes with a libretto by Koulsy Lamko, in Bamako, around which Diawara builds a story about migration, interweaving interviews with documentary and archival footage. In the course of the film, one crosses into the world of opera from the tradition of sung wisdoms and sentiments, which has characterized West African culture for centuries. If opera is often understood as an über-European art form—the Gesamtkunstwerk invoked by Richard Wagner—Diawara chooses to meditate on its movement or migration as opposed to its expansion or totality. What happens when opera moves south, from Europe to Africa, just as so many people from that continent are moving north, in search of better lives?