In a world dominated by men, a tenacious woman with an outspoken personality makes headway into success through the use of determination, perseverance and savviness.

La que no podía amar is a Mexican telenovela produced by José Alberto Castro for Televisa. Ximena Suarez wrote the script based on the original story by Delia Fiallo. The cast was headed by Ana Brenda Contreras, Jorge Salinas, and Jose Ron, while Susana González, Julián Gil, Mar Contreras and Ana Bertha Espin portrayed the villains.

Rafael Méndez and Alejandra Maldonado are salesmen from opposite sides of life. While Méndez depends on informal sales, and that without any higher education degree, Alejandra carries her duties as the Commercial Manager of a car dealership with an MBA degree and a hard attitude up her sleeve. An unfortunate car accident will bring them together, and they will have to get the best of each other in order to survive their respective realities.

Rafael Méndez is an ethical and noble man who dedicates his life to selling household items and is dating his neighbor Vicky Pardo. Alejandra Maldonado is a successful businesswoman and manager of the Ramenautos car dealership, she is engaged to Luciano Valenzuela. Rafael and Alejandra suffer a car accident that will trigger a series of events that will bring them closer. Rafael must pay off the debt he has left Alejandra with after the accident and this closeness will lead them to fall in love despite their social differences. However, circumstances and their respective families and partners will do everything possible to prevent their love from happening.

A prostitute enters a brothel and establishes a rivalry faking love with the old owner.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

The success of the Conchy virtual assistant (which was developed by Javier) has earned him a favorable spot in the parents chat room - until something unexpected ruins it all.

Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

Handsome and stylish Victor is reunited by chance with David, his first love, fifteen years after the last time they saw each other. This reunion revives the clandestine love they had when they were younger.

The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.

Daniel and Maria are about to get married and have a modern wedding on the beach in mind. But their families have other plans for the celebration.

Isabel is torn between the need to feel valued as an actress and her insecurities and contradictions. One night, she hosts a very special dinner: her husband Ángel, who is a scriptwriter, and Susana, Ángel's ex-wife and film director, want to convince Argentinian actor Diego Peretti to star in a movie. But at some point something unexpected happens that surprises everyone and disturbs the evening.

Carlos is preparing dinner, but first he'll need to figure out what to do with the bloody corpse in his living room. How did this first guest die? And how will he get rid of the body before his other friends arrive for dinner?

Four friends travel to a cabin in the woods during the weekend to reinforce the bond of friendship between them. A group of men begins to harass them gradually. The results become bloody and catastrophic.

On July 18, 1994, young Benjamín Sheinberg begins his first day as a resident doctor at the Hospital de Clínicas, in Buenos Aires, while at the same time a bomb explodes at the AMIA, causing the death of 85 people. Sheinberg is overwhelmed by the situation that affects him beyond his professional level and decides to go to Israel. There, with the help of Rubén, an old friend of his grandfather, he will “travel” in time, entering the ancient history of Israel, seeing himself reflected in the ancient character Jacob. But what connection is there between both characters?

In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between - seen from a bird's-eye perspective.

A prostitute promises to the Virgin Mary not to practice her trade for a year if she heals her sick child.

A small rural town is the center of multiple parallel stories that intertwine the fate of several different characters across a single night. Some of them are: Juan Manuel y Esteban, two bored teenagers competing for the love of a French exchange student who decide to play a prank to "Fat Pablo", a naive pizza delivery boy that is mistaken as a delinquent by Olveira y Sandro. These two arrive to town to assault a corrupt ranch owner, a coup planned by "El Tranquera", a small-time dealer. Either chance or destiny make of this fateful night a turning point in the lives of the characters.