Ji Eun-Soo is a daughter-in-law of a powerful chaebol family. She suddenly she becomes a murderer, who killed her husband. After she is released from prison, she tries to get her daughter back. She approaches Kang Ji-Min, who has adopted her daughter. He is a cool as ice reporter. Ji Eun-Soo pretends to fall in love with him and attempts to marry him to become the stepmother of her daughter.

Yeonju buys a beam projector second-hand and soon discovers that it is defective. Instead of asking for a refund, she decides to conceal the flaw and resell the projector.

When Koichi was 9-years-old, Koichi's father was accused of killing his wife and youngest child. He was also accused of committing suicide. In reality, Koichi's father was framed for the murders and Koichi saw the person who killed his family. He told a cop that his father didn't kill anyone and he saw the killer, but nobody believed him. Afterwards, his relatives called him a liar and he grew up with the nickname of Liar. Koichi eventually moved overseas and changed his name. He became a swindler.

Burned out and taken for granted, a working mom suspects her partner is cheating, so to win back his attentions, she feigns a medical diagnosis.

On a handmade set re-creating her Casablanca neighborhood, a young Moroccan filmmaker enlists family and friends to help unearth the troubling lies built into her childhood.

Set in a world where the concept of lying doesn't exist, a loser changes his lot when he invents lying and uses it to get ahead.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

Sarah Nolan is a newly divorced woman cautiously rediscovering romance with the enthusiastic but often misguided help of her well-meaning family. As she braves a series of hilarious disastrous mismatches and first dates, Sarah begins to trust her own instincts again and learns that, no matter what, it's never a good idea to give up on love.

Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.