Women will never understand, why face is a matter of life and death to men. They say that life is difficult and that it is particularly difficult if you are a woman. But the 50-year-old HONG TIN-YAM (LAU CHUNG YAN, DAMIAN) finds it equally hard to be a man. YAM was widowed at an early age and was once a single father. Years later he was married to his second wife WONG TAK-KIU (SO YUK WAH, LOUISA) who helped a lot in looking after his son. But YAM is not yet free from trouble – his and his wife’s families have placed a huge burden of responsibility on him and it has never been an easy job to deal with. What really worries him is his only son, SAI-HEI (NG CHEUK HAI, RON), who has grown to be a frivolous young man. HEI has to marry an undergraduate KO FUN (LEUNG CHING KI, TOBY) whom he has made pregnant…

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

A slice of life comedy where Furutachi Kanji and Takito Kenichi play poor brothers Ichiro and Jiro respectively. Older one (Ichiro) is very serious while the younger one (Jiro) is trying to start rental father/uncle service and they have to deal with issues from their clients.

Kanako is about to open a French restaurant, for the sole purpose of making herself happy with good food and wine. She recruits Iga, a waiter who is undervalued at his current restaurant. After Kanako declares, “I’m convinced that you will become a great waiter,” he decides to work for her. However, he quickly finds out that not only is the restaurant poorly located – it’s in the middle of the cemetery, far away from downtown and residential areas – but none of the other staff, such as former hairdresser Kawai, have ever worked at a French restaurant.

In this offbeat coming-of-age tale, a charming, rebellious high school dropout named Kanta befriends the kind, provincial Shoji. The two bring out the best in each other, each gaining confidence from their friendship - especially regarding pursuit of the opposite sex. The working class Kanta becomes a sort of unruly anti-hero, maintaining his pride, defiance, and self-assurance even as his prospects seem increasingly grim.

As a killer stalks the streets, a troubled young courier suspects that a doctor may be the long-lost sister he hasn't seen since childhood.

A rare film which depicts the tragic fate of a Christian lord who fought for his fate in the Edo period. Of note is Utaemon Ichikawa's extraordinary memorable final scenes in which he takes on his enemy with a gash in his forehead and a wild, unkempt mane.

In this enveloping second part of the Youth trilogy, shot between 2015 and 2019, Wang Bing deepens his vérité portrait of a generation struggling to survive on meager wages amidst a nation’s economic expansion, emphasizing the distrustful, increasingly combative relationship between workers and management.

In a fast growing city of East China, migrants have been arriving and living for a dream of a better life. But what they find there is little opportunities and poor living conditions that push people, even couples, into violent and oppressive relations. Xiao Min, Ling Ling and Lao Yeh are some of the characters of this bitter chronicle of today China.

In Goodbye Again, a mother has to deal with one of the most heartbreaking events as a parent: saving a drug addict child. Coming home for dinner and facing her demure mother, the agitated daughter alternates between derisive manipulation and loving care, oblivious to the uncommonly preoccupied and nervous mother who nibbles at the bitter melon without a word of reproach. Filled with tension and deceptively simple, the very short drama is a powerful portrayal of mother-daughter dynamics in a modern single-parent Chinese family.

Nami's still the hottest trucker in Japan, but now there's a new contender for the title of Queen of the Road! Meet Ayano, the toughest highway patrol officer to ever fill out a bulletproof brassiere and Nami's former high school gang rival! However, a certain truck driving mama isn't the only target this smoking-hot smokey has in her sights. There's a deadly drug hitting the market and someone's transporting it across Japan via unwitting truckers. Does that sound like a good enough reason for two ex-delinquents to set aside their mutual differences and put a little pedal and metal up some gangster butt? Maybe, but not all road trips have happy endings, and the payoff at the end of this run could prove lethal. Expect some heavy girl-on-girl friction ahead as the brakes give out, the undercover action heats up, and a crazy string of tips, gas, and drugs paves the way for Nami's wildest ride yet!

13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.

In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.

Public Security officers investigate the robbery of a post office and the injury of a young woman.