Can a young woman prove her loyalty to her country and her family? Lan Yan Zhi is a privileged banker’s daughter in Shanghai and a student activist who mistakenly comes into possession of a letter from the Japanese Army in 1937. She gets misunderstood for a spy by her crush, Zhou Yu Hao, an upstanding officer in the Chinese Army. To prove her innocence, Yan Zhi agrees to infiltrate the home of her best friend, Feng Man Na, and help Yu Hao track down a mysterious “Mister Traitor.” But what will Yan Zhi do when the search leads to a member of her own family?

CHUK MING WAI (LAI CHI, GIGI) is the third child of the family. She has two elder brothers, YAU SHING (TSANG WAI KUEN) and YAU YIP (CHAN HO, MOSES), and a younger sister, MING MAN (CHO, MANDY LEE). In the 1930s, the CHUK family is rich and renowned. It runs a cosmetic shop called the “Charming Flowers”. WAI’s father CHUK MOON SHAN (CHAN HUNG LIT) plans to pass the family business to SHING. However, SHING dies young. His inheritance passes to YIP, who has no interest in running the business. After YIP takes over the “Charming Flowers”, he is forced to deal with politics and hypocrites...

Romance between a girl who wants to seek revenge for her father, and the second son of the Yue family who owns a rogue manufacturing factory.

Interior Designer Moon Sing Hong purchases a flat in anticipation of marrying his longtime girlfriend who is expected to be returning home soon after studying abroad. Without his knowledge or permission his older sister rents out his flat to popular Cantonese opera singer Kan Kit. Unable to break the rental lease, Sing Hong uses all kinds of tactics to try to make Kan Kit move out but her manager Lin Sau fong helps her stand firm. When Sing Hong's best friend and business partner Tin Hak kan, meets Kit he develops an instant attraction to her and ask Sing Hong to help him pursue Kit. In order to help his friend with love Sing Hong gets close to Kit to find out about her interests. The two soon work out their differences and become friends. However their typical life is turned upside down when Kit gets into a car accident and finds her biological mother, while Sing Hong finds out his longtime girlfriend has been living in Hong Kong all along with another man.

Amid the opulent teahouses of 1930s Hong Kong, a humble courtesan and the wayward scion of a wealthy family fall in love and embrace death by suicide pact. Fifty years later, her ghost returns to find him, drawing a young contemporary couple into her quest to rekindle a passion that may be as illusory as time itself.

A Hong Kong businessman is in financial trouble, so a Japanese Japanese bank offers a loan on the condition that he sell the family mansion on Lantau Island. The tenant, his patriotic uncle, will only go out in a coffin. The Japanese bank use blackmail to scare the businessman but they don't know that, in that house, there's something terrible than their blackmail.

Because her father had financial problems, he allowed his only child Wen Yu He, played by Fan Bing Bing, to become the daughter-in-law of the Gu family, the wife of Madam Gu’s third son.Madam Gu’s first son disappeared and her second son died of a weak body and of sickness, so all of her hopes were placed on Yu He and her remaining son. The third son, Shao Tang, is a playboy who spends his time in the brothel and gambles his money away. Madam Gu purposely chose Yu He because she believe that Yu He could change her son for the better. Yun Kai is a school teacher who enters the Gu Household as a groundskeeper. Although he helps to keep track of the accounting and also the Gu lantern business, he hides his identity and lives as a servant. When Yu He enters the Gu Family, she is constantly picked on and tortured by her older sister-in-law, or rather the first son’s wife. Will Shao Tang ever come back home and discover Yu He’s true devotion to him? What crafty tricks will Mo Xin come up with to push Yu He further away from Madam Gu? What is Yun Kai doing by hiding his identity and becoming a servant at the Gu Household? This is just the beginning. The Gu Family has more secrets than you can even imagine. What will happen as these old feuds and dark secrets begin to unravel before Yu He? -- Haywires blog

This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production

Two groups of knife-wielding and kicking women in bikinis join forces to kill a gang boss responsible for killing their fathers. But they're not very effective. After three attacks on the culprit, the worst damage he suffered was having his ankle run over by a motorbike. Closer co-operation with a casino boss may help.

A band of counterfeiters wants to make Hong Kong their new territory. The disgraced leader of the Special Squad will have to team-up with a group of Hong Kong police officers in an attempt to stop the dirty business of crime lord Han Tin Lung, but Han's problem is not only the interference of the Police force, but his Japanese ally Kimura is not happy with his 'cut' in the counterfeit deal and will try to put Donna (a relative of Han) on his side to make Han's business his own property. Both policemen and criminals are highly trained Martial Arts fighters and they will have the chance to prove who has the best Kung Fu techniques.

This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

The Pretty Tigress

Yet another Godfrey Ho-scripted / Joseph Lai-produced / IFD-distributed "cut-and-paste" job. This one takes much of its footage from the 1983 Brazilian movie Doce Delirio and adds new and unrelated martial arts footage shot by Phillip Ko.