The young girl Olga Vasilyeva grew up in an orphanage. She never knew her mother and wants to find her. The only trace she has is a preserved letter from her mother from her personal file, which she managed to get from the administration of the orphanage. For a short vacation at her factory school, she travels from Sverdlovsk to Moscow following the unreliable traces of this letter. Yelena Alekseyevna — the woman she finds when she arrives at the address turns out to be a teacher in a ballet school, the wife of an ordinary senior teacher at the Moscow Technical Institute (who didn't defend his dissertation and is complacent about this) and an old-Moscow intellectual. She kindly meets her, but she is not the person Olga is looking for, she only has the same last name and first name and consonant middle name. She is kind and hospitable, ready to help the girl find her real mother and offers Olga to visit her house during a short stay in Moscow.

Romance (TV), in Russian language

The doll is perhaps the most important toy in the life of any person. Why is the doll so important and why is the doll world so diverse? Why was the Scientific Research Institute of Toys created in the Soviet Union, by the way, the only one in the world? And why is it abolished now? What have we grown up to be and what will our children be like? Does a lot really depend on toys? On the example of one family, as well as with the help of collectors and artists, psychologists and teachers, documents and chronicles of those years, the film tries to answer these questions.

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Pilar is a Spanish widow who has raised her three daughters in France. In love with Fernand, the manager of the building in which she lives, she organizes a lunch in her home with the intention of introducing him to the rest of the family. The reunion goes wildly wrong and the family's craziness overtakes.

Two mother-daughter duos must contend with their grief and complicated relationships with one another when the person who connects them dies.