World-renowned Senegalese pop star and gifted vocalist Youssou N'Dour brings his unique mix of jazz, soul, hip-hop, samba and African rhythms to London's Union Chapel in this memorable live concert. Highlights include performances of "Mame Bamba," "No More," "Tan Bi (Heat, Breeze, Tenderness)," "La Femme Est L'avenir de L'amour (Women Are the Future of Love)" and "Shakin' the Tree," a song he co-wrote with Peter Gabriel.

Youssou N'Dour is one of the true superstars of African music. A native of Dakar in Senegal he has been singing and performing since his childhood. He has performed with many leading western artists including Paul Simon, Neneh Cherry and Branford Marsalis but is perhaps best known for his association with Peter Gabriel. He was one of the stars of the 1988 Amnesty Tour and appeared at 8 Live concerts in Hyde Park, the Eden Project, Paris and Edinburgh - three of them on the same day! This concert from 1989 features Youssou N'Dour with his band Le Super Etoile de Dakar and was the first of four appearances he has made at the Montreux festival to date. N'Dour's voice is as fine as ever and the show is a showcase for the colour, emotion and energy so characteristic of his performances.

Near perfect quality Pro-shot broadcast recording of Al Jarreau & Youssou N'Dour, recorded live at the Nice Jazz Festival, in Nice France during 2000. DVD has a total running time of 50 minutes. Quality is about 9/10, and setlist is as follows: 1. Opening (0:46) 2. Puddit (Put It Where You Want It) (5:20) 3. Favorite Things (9:10) 4. Just To Be Loved (10:17) 5. 7 Seconds (6:57) 6. Set (Clean) (7:56) 7. Birima (9:59) (2-4 - Al Jarreau; 5-7 - Youssou N'Dour)

October, 1987. An open-air amphitheatre cut into a mountain overlooking the twinkling sprawl of nighttime Athens. Thousands of people are going crazy for a young Senegalese singer they’d never heard of until moments before, when headline act Peter Gabriel walked onstage and introduced him. Here, then, is N’Dour’s opening set from that legendary Live in Athens show, as performed by an act on the cusp of Western stardom. An act that had transformed Senegalese music by playing traditional rhythms on electric instruments, fronted by a singer whose charisma, multi-talents and social conscience would eventually see him acknowledged as one of the most celebrated African musicians in history.