The film consists of five films about Yamato in the post-COVID period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.

Experimental short by Kenji Onishi.

Matsushima Nanako grew up in a very poor family and is thus determined to marry a rich man so that she will never have to go through poverty ever again, and is named the "gokon queen" in her quest to find her man. Tsutsumi Shinichi is a brilliant academic (Fields prize winner - Nobel Prize equivalent in Mathematics) who gave up his studies to take over his deceased father's fish-shop. They meet through a doctor's "gokon" (group date) and she falls in love with him under the mistaken assumption that he is a very rich man

It's a gorgeous, spacious mansion, and four handsome, fifteen-year-old friends are allowed to live in it for free! There's only one condition—that within three years the guys must transform the owner's wallflower niece into a lady befitting the palace in which they all live! How hard can it be? Enter Sunako Nakahara, the agoraphobic, horror-movie-loving, pockmark-faced, frizzy-haired, fashion-illiterate recluse who tends to break into explosive nosebleeds whenever she sees anyone attractive. This project is going to take more than our four heroes ever expected: it needs a miracle!

It is the early 1930s and the command of the Japanese Imperial Navy determines to construct the world's biggest and most formidable battleship, Yamato. One of the admirals, Yamamoto Isoroku, disagrees. He recruits the upstart and mathematics' expert Tadashi Kai who discovers there are discrepancies between the official cost estimates and the actual figures. They soon find out that they have stumbled upon a conspiracy.

Sunako is very happy living her life in the darkness of her room, with her skeleton friends and her horror movies to keep her company. The darkness she so loves is pierced brightly by four dazzling young men, who come to live in the same mansion as her, and she soon realizes that they have orders from her aunt to do anything to turn her into a prim and proper lady.

Set in World War II, the film depicts the story of the real-life Japanese battleship, the Yamato, which is confronted in the Pacific Ocean by giant monsters, including the most fearsome of them all, Reigo.

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.

Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.

Lesser, but still modestly entertaining sequel. Wakayama is wonderfully bastardly here, but has to do without Chicago bros. Yamashiro & Watanabe and the film is just that much less fun. It's also a little bogged down by an out-of-place environmental message. In return one does get Willie Dorsey (who would go on to lose his balls in The Street Fighter) in a rather big role as Capone's right hand man. There's a legion of other gaijin as well, Osman Yusuf among them of course. The rating could be a notch higher on a good day.