The truth does not exist. There is only the manipulation of reality. And you are the best example. Have you heard of the Bilderberg Club? Do you know who integrates and what are its objectives? We should know because they already control everything... or so is the claim.

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema. iMDB

Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.

Once a year, the most powerful people on the planet meet behind closed doors. The origins, development and expansion of one of the most elitist and secret organizations in today’s world. Welcome to the Bilderberg Group.

Since 1954, the world's most powerful and influential people have gathered annually to discuss things the general public is still not allowed to know.

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

The portrait of a mother torn between the desire for security, marriage and children and the need for self-realization and independence.

What does modern art mean for ordinary visitors to an exhibition?

The unemployed Timjan discover Mejram singing and instantly fall in love with her.

A film based on Fritiof Nilsson Piraten's short story "Lefvande bilder" - a story about when the movies came to the author's childhood village.

In the sixties, Louise’s maternal grandparents went to Greenland to teach the Inuit children the Danish language and culture. How did they perceive their roles in this cultural colonialism? From a personal point of departure and with a rich archival material, Louise tries to understand the colonial heritage she herself is part of.

Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.

The rock version performed live with the Leipzig Symphony Orchestra and the state youth choir of Saxony under the direction of Stephan Koenig.

Helmut Färber makes connections between architecture and film