Skin flick about nude beaches

31-year-old Urara Iwasaki (Kyoko Fukada) makes an error during her first trial as an attorney which hurts her client. Urara Iwasaki thinks law isn't right for her and she quits her job. She now has a debt of 4 million yen and earns a living by doing part-time work. Meanwhile, Rinka Ebisawa (Shinobu Terajima) is a competent lawyer, but its revealed she used excessive ways in her cases and is dismissed from her law firm and disbarred. She can't work as a lawyer anymore. By chance, Rinka meets Urara.

Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the critic's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.

In this contemporary romantic comedy about love in all its forms, All the Women in the World tells the story of Paulo, a bohemian dreamer that lives his relationships intensively, falling deeply for all the women he meets. Never able to forget Maria Alice, his greatest love, he counts on the advice of his two best friends to face the emotions of his accomplishments and breakups.

The 178 women who anonymously created many popular standards of radio, film and stage in the Tin Pan Alley era (1920 to 1949) are celebrated in this American Masters production, which focuses on four of them: Dorothy Fields, Kay Swift, Dana Suesse and Ann Ronell. Betty Buckley hosts and performs three classic numbers: "I Can't Give You Anything But Love," "The Way You Look Tonight" and "I Feel a Song Coming on."

When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.

A series of intertwining stories focus on the lives and transformations of three women and their romantic relationships.

Pascal and Martine are married, have children, but are getting bored with each other. Pascal is tempted by a beautiful salesgirl with whom he finally has a date. But the bombshell promised more than she actually delivers. On the other hand, he is attracted to his precocious niece Sophie. But he only becomes her confidant, living vicariously her first sentimental experiences with boys of her age. On her part, Martine winds up responding to the advances of her office manager who has been trying to pick her up for months. She follows him to his apartment but the alleged Don Juan is nothing but a boor who prefers to watch a soccer match rather than to make love to her. In frustration, she leaves him sprawled before his set while she returns to Pascal. They realize their extramarital experiences have reinforced their couple and can now live happily ever after.

First anthological short from Pett Kata Shaw. Based on the popular myth that witches can visit when one is cooking fish.

In El Salvador, abortion is punished with imprisonment. This documentary wants to give voice to all the women who are victims of a restrictive legislative system that violates their reproductive and sexual rights.

The story of three Salvadorian women who saw their fundamental rights violated when they were accused of a crime of abortion and finally, imprisoned for aggravated homicide, when in out-of-hospital deliveries they lost their babies.

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.

Three popular sexy actresses star in the "Beautiful Three Women" version of this sexy horror film. Included are "Evil Spirit," in which a reporter visiting a haunted place alone is attacked by something mysterious, "Fate," which depicts what happens to a woman who visits a hot spring to heal from sexual harassment, and three other episodes.

In his film, Lothar Lambert has chosen to portray eleven women over forty in Berlin, interweaving accounts of their experiences, their current lives and their expectations for the future. The line-up includes a number of well-known Berliners such as Irene Schweitzer, who runs the shop “Kaufhaus Schrill” in Bleibtreustrasse, photographer Erika Rabau and painter Evelyn Sommerhoff. The women talk about their chaotic family backgrounds, dramatic twists and turns, courageous decisions, failed relationships, breakdowns and new beginnings, as well as the art of gritting your teeth in spite of all of life’s blows. In no uncertain terms the women tell the filmmaker how they came to be the people they are; they also chat unabashedly about their sexual antics and reflect en passant on the social climate in Germany.

As crime and attacks against women soars throughout the country, "Gun Self-Defense for Women" teaches women, and men, from basic to advanced knowledge on pistols and shotguns, and how to protect themselves and their family.

This informative video course teaches adult women about weapons and self-protection. Also includes other self-defense methods shown by experts in that field. These rules also apply to underage girls and men in the audience.