Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

"Avant l'Orage" founders Camille Étienne and Solal Moisan recall the journey and the experiences that fueled their activism of today.

Why We Fight? is a cinematographic film that tries to understand the violence around us, but also within ourselves, in order to better cope with the world today.

Why We Fight features a series of animated sequences. The opening animation is a man in Western gear that quickly changes into a child. Other sequences include a woman and her pet that turn into a sharp shooter and his rifle, a woman’s face that turns into a gas mask, a disintegrating peace sign, and much more. Consistently throughout the film there are flashes of words such as “fear” and “terror”. The film’s soundtrack is the sound of explosions, gunshots, and several phrases including “The only thing we have to fear, is fear itself”. Included in the collection is an original drawing from the film.

The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.

The third film of Frank Capra's 'Why We Fight" propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.

The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.

An aspiring teen boxer, haunted by his father’s death in the boxing ring, tries to save his mother from throwing in the towel on the anniversary of his passing — but with the help of his friend Roe, Andreas will discover that his greatest fight will be learning how to save himself.

The fourth of Frank Capra's Why We Fight series of seven propaganda films, which made the case for fighting and winning the Second World War. It was released in 1943 and concentrated on the German bombardment of the United Kingdom in anticipation of Operation Sea Lion, the planned German invasion.

The sixth film of Frank Capra's Why We Fight propaganda film series illustrates Japan's occupation of China, including Madame Chiang Kai-Shek's stirring address before congress, the rape of Nanking, the great 2,000 mile migration, and Claire Chennault's Flying Tigers.

In a chaotic dystopian Canada, Caleb Jacobs, a gruff survivalist is faced with tough decisions when he decides to take in a frozen refugee from the south.

Part of Frank Capra's World War II propaganda series made for the U.S. Armed Forces, this program presents newsreel footage addressing the Battle of China and shifting opinion as the United States moves from isolationism to supporting the war. Highlights include Madame Chiang Kai-Shek's moving address to Congress, Edward R. Murrow's reports from London during the Blitz and Charles Lindbergh expressing his opposition to America entering the war.

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.