Wojnar is a wealthy man who is marrying off his beautiful daughter Kasia, in a small town in present day Poland. Wojnar had to bribe the groom with a fancy car, since Kasia was pregnant by another man. At the end of the ceremony, the car is delivered by a gangster, who immediately demands the promised money and the deed to land from Kasia's grandfather. Unfortunately grandpa is unwilling to let go of the land. Meanwhile each of the workers at the reception demand to be paid, so Wojnar, who is very reluctant to part with his money, tries to haggle and bribe his way out of all the situations.

The story of a WWII tragedy in a Polish village mixed with the story of a wedding taking place in the same place 80 years later. A bitter look at a xenophobic community that forgets its own history.

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

Meticulous documentation of the course and rituals associated with a traditional, folk wedding. Images of nature and Masovian landscapes are intertwined in this study with elements of folk culture, the basis of which is the relationship between man and nature.

The film popularizes folk music, folk dance, and Karol Kurpiński’s piece titled "Wesele w Ojcowie". We could see dancers of the State Dance Ensemble led by Eugeniusz Papliński.