The factories which were abandoned, the temporaries who were employed on a temporary basis, and the words were painted on the edge of the wall of the city. They were dirty humble but very strong, it reflects the real situation of "workers" in the social class. These factories, workers, and wall were utterly discarded after being used up, without any responsibility and affection. They were "relics" of the modern industrial process, and now left behind in the edge of the city and barren. We try to record the imminent disappearance of these graffiti walls, abandoned factories, are the temporary workers in an atypical way. Because of these images usually remind us that the city hides a group of incomplete consciousness and the body, they are in the search for a possible survival, a possible aesthetic, a desolate before the disappearance.

The story of Amanda, a South American trans woman living alone in a house in the Roman suburbs. It exposes the violence and hatred trans women face in their houses and workplaces that are supposed to be safe.

A senior gay couple faces the biggest challenge in their long-standing relationship as one of them is diagnosed with early-onset dementia. Together they try to survive the challenges of changing dispositions and fading memories.

Chinese movie

Comedy in the early 20th century about switching the lives.

Al Amari is a Palestinian refugee camp located in the West Bank. It has been here for more than seventy years and during this time its original appearance has been replaced by concrete buildings resembling a regular city. This is the Czech director’s second visit to this distinctive community, and despite many residents’ wariness of her, she forms friendships with the locals. The film consists of several portraits of refugees living in Al Amari and provides a report on the difficult everyday life of people surrounded by fear, war and violence. Taken as a whole, these portraits form the story of the filmmaker and her protagonists.

Traana-Temporary Migrant is a theatre script written by Bouba Touré in 1977. The play tells a story of rural exodus, from the countryside to the city, from the city to Europe. This story of migration from the 60’s and 70’s indexes the failure of the liberation movements in Senegal and Mali to consider the postcolonial conditions for peasants after independence. The adaptation of Traana by Kàddu Yaraax and Raphaël Grisey in December 2016, is the result of a ten-day workshop with 8 actors coming from Yaraax or other suburbs of Dakar.

Maria Alexandrova and Vladislav Lantratov are international ballet superstars. Everything in their lives is connected to dance. Being on stage means everything to performers, no matter if it is a theatre in their city, the Bolshoi Theatre, or other famous venues. But their lives take a dramatic turn in the spring of 2019 when Masha and Vlad both get their Achilles tendons injured, she during rehearsal, and he — in the middle of an important premiere in front of a big audience. Their careers, beloved work, and the joy of routines are put on hold. The feet of the artists turn into independent characters, whom their owners address accordingly. “What if this time she doesn’t want to?” asks Maria Aleksandrova, an extraordinary ballet dancer, who is experiencing this trauma and recovery for the second time.

Two elderly men discover that they have terminal illness. They decide to escape and embark a nightly journey throughout the city.

Beijing Changping Qiliqu Temporary Shelter is a shelter that was part of the network of temporary shelters used in China from the early 1950s to accommodate homeless people (the liumang 流氓). Changping Qiliqu shelter was used as a detention center in the 1990s, in particular, to incarcerate recalcitrant Yuanmingyuan artists, including Xu Ruotao. With its cold and soulless images, this video has a latent subversive tone, and a consistent vision of a hostile world.

In one of the biggest occupations in the biggest city in Brazil, an unemployed person and an employee, both homeless, share moments, remember their lives, face the future.

On his last day in Brazil, Dut spends time with his friends around the neighborhood reminiscing about old times and longing for the future. In a cathartic moment, they perform "Times" by Flying Kites. TEMPOS is a celebration of moments past, the fraternity of friendship while growing up, and the hope for a future where there will be more time.

Beno (11 years old) who has just returned from school waiting to be picked up, felt thirsty and intended to drink water from a bottle.