Kyoko Sawai, a TV reporter, is making a report about an idol singer named Emi Kato. Emi and her staff are preparing the promotion of her next tune "Love Craft". And as spiritual accidents happen around her, Kyoko finds out that the woman who composed the tune died seven years before.

The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.

Inspired by the writings by Robert Musil. Won the Golden Leopard at the Locarno International Film Festival in 1968.

Yagyu Jubei proves his skills in this early adventure film.

A Police SWAT troop is entering an abandoned factory where a sadistic serial killer named 'The Spider' detained his victims. The entire squad is massacred and for Doctor Leemen, psychiatrist and profiler, is the last unbearable defeat. So, he decide to leave the case and return to his ancient work in a Psychiatric clinic for teenagers. Here he treats Matthew, a sensible and introvert boy that awakes from a coma, who begins to have visions about the crimes of 'The Spider'. Matt and his friend Nick contact Hope, a young journalist that investigate about Spider's murders. Matching Hope's knowledge and Matthew's visions, they have the elements to resolve the case. Studying Matthew's visions and nightmares, they follow the killer's death's spiral from the beginning to the unavoidable face to face that hides a terrible secret.

All the characters are in hell, but they act as though the are in a sitcom, with canned laughter. It's based on Arcana Celestia by Swedenborg, a Swedish esoteric theologian from the 18th Century who started seeing ghosts, angels and demons around him. Instead of seeing a physician about it, he accepted the fact and began studying and interviewing his own hallucinations, like an anthropologist. He was convinced that people in hell are happy, because you find what you want there.

In 1934, as playwright Luigi Pirandello travels to Stockholm, where he is about to receive the Nobel Prize, he begins reliving the drama and magic of the loved ones who have populated his life and inspired his art. Pirandello reminisces about the madness of his wife, his stormy relationship with his children, his controversial stance towards fascism, and his love for Marta Abba, the young actress who became his muse.

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

Based on the writings of a true life, vision-impaired lawyer comes a story about a blind man who manages to pass the extremely difficult bar exam and earn his lawyer’s license. Long desiring to help the weak, Kensuke Okochi gets a job at an attorney’s office while he and his wife, also blind, look forward to their first child. When a plaintiff in a divorce case decides to withdraw from litigation, Kensuke worries at first that it has to do with his own perceived inadequacies as a lawyer, but a few days later, he is visited by the female plaintiff, Satomi, showing injuries to her body. While it appears an open and shut case of domestic violence with an audio recording as proof, Kensuke detects a “certain scent” coming from the plaintiff which gives him pause as to her real intentions.

A deranged woman gouges out the eyes of the strangers she has sex with. She was once filmed being brutally raped on the roof of her school and is still trying to cope with the trauma.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

A 4D music film about a guy named Hyeon-min who sets out to find a new vision after meeting a mentor who is about to change his life.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

The great voyages to the "New World" were seen as expanding the frontiers of the visible and displacing those of the invisible, therefore maps from that time render the real and imaginary. The film follows a voyage of the Brazilian Military in search of an imaginary island with the same name as their country. In the myth from 1483 Brazil, or Hy-Brazil, is known to exist to the west of Ireland and above the Fortunate Islands. Visão do Paraíso is an examination of the capacity of the human imagination and computer simulations to construct environments. Amidst the fine threshold of the real, simulated, and imagined, the film analyzes the contemporary ideas of virtual reality and their ambition to expand the frontiers of the physical world into a "New World".

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.