"Everyone Avenges Themselves". At the instigation of Louis Berger, Henry Rogers is falsely accused of having embezzled a large sum of money and sentenced to prison. As a convict in the prison quarry, he becomes good friends with the warden's son, Allan. Lille Allan believes in Henry's innocence and help him escape.

Colourful, unpolished portrait of the Rotterdam theatre-maker Paul Röttger, whose work has been all about inclusivity for 30 years. The thread running through the film is rehearsals by Theater Babel Rotterdam, the theatre company of which he is director, that performs some 150 productions a year. Röttger previously headed the Rotterdams Centrum voor Theater and Theater Maatwerk (Rotterdam Centre for Theater and Custom-made Theatre). The documentary shows his ongoing search for equal artistic collaboration between people from a wide variety of genders, cultural backgrounds, physical and mental conditions, and professionalism.

Tells the story of the "only true hardcore punk band of the 90s" - HAMMERHEAD. This film is an attempt to approach a band that seems to have always been a mystery to some.

An aspiring photographer tries to convince a girl to pose for his "art photos" by pretending to be a director. Ngo Dong (by Ha) dreams of becoming a famous actress. Quang Hy (by Hai) wants to take nude “artistic’ photos. They meet and Quang Hy lies that he’s a director to get Ngo Dong to participate in taking photos. Their relationship begins.

An angel wishes to be reunited with his long lost love but they are on different Angel Levels. To get his wish, he's sent on a mission by God to save a man.

Dakota Dan, who runs the saloon and gambling hall, is refusing to take another drink with the boys, who commence to kid him, saying he's been scared to drink ever since he heard the new parson's daughter was going to convert him. Dakota flushes and replies half angrily that he has never seen the parson's girl and don't ever want to. However that afternoon Daisy goes to the saloon and invites Dakota to attend church. Dakota refuses her invitation. Daisy tells him she will make a bargain with him to tend his bar for five minutes if he will go to church the next day. Dakota is slightly startled, but he admires her grit and accepts the challenge. Daisy goes behind the bar. The men line up and she is about to serve a fresh guy when he suddenly reaches over and kisses her. Dakota immediately knocks him "cold," and, ashamed of his bargain with Daisy, grimly escorts her to the door. The next day he tells the men that if they don't accompany him to church he will close.

At the Borda psychiatric hospital in Buenos Aires, two patients find a breather in art from their monotonous daily life. Documentary that goes through the contradictions between the field of dreams of the interns and the harsh reality of the hospital.

One in a series of works exploring the materiality and texture of hand-processed small gauge film, and the qualities of indeterminacy, and serendipity. The raw materials are long-expired Kodachrome film and film developers made from household ingredients. My tools are old super 8 cameras purchased cheaply in flea markets and an obsolete telecine machine, acquired in exchange for a song.

This film documents the breadth and depth of Occupy Wall Street and how it quickly grew from a small park in lower Manhattan to an international movement. From a 22 years old business administration graduate Occupier to a 92 years old grandmother, the film explores why people from diverse age, ethnic and financial backgrounds support the movement. The economist Jeffrey Sachs connects the dots between issues that the movement brings to light and how they can be addressed through fair taxation and a reallocation of resources for a more just and sustainable future. Russell Simmons highlights the necessity of removing private money from politics in order to reduce the corporate influence of the legislative process that has undermined democracy. Narrated by Lou Reed.

A hangout next to the 'boiler room' in the basement, offstage at a theatre in Osaka. The comedians who visit there and the people who surround them. Their respective agendas are soon exposed.

This is the full ten minute film from which the Russ Morgan "Meet The Bandleaders" segment was created on video in the 1980s. It features Russ in his first year, singer Linda Lee, and Lewis Julian, a former NBC page boy. Also featured is 22-year-old Billy Fisher on saxophone and clarinet (in front of the bass drum), who later played with Al Donahue and the CBS Orchestra. He was later the arranger for the Ed Sullivan and Jackie Gleason shows and the Tony Awards.

A young dreamy boy is playing with his father's rifle and a bunny with big consequences.

A man is tasked with assisting in the ritual suicide of a samurai who won't die without condemning the corrupt powers that be.

A documentary that takes an in depth look at a government sanctioned art school in Cuba and its students. Interviews of various artists attending the school allow viewers a glimpse into their personal and professional lives.

Dorothy Davenport as Clara Madison, a prominent lawyer, wins a judgeship over fellow Attorney Grant Williams, played by Willis L. Robards. Upon winning the prominent position as judge, Ms. Madison finds herself walking a political tight rope with enemies all around doing what they can to cause her down fall. Judge Madison convicts a murderer to death paving the way for her to be easily elected as the first female Governor. As Governor she is faced with a difficult dilemma. She has the power to pardon her husband who has been convicted of a serious crime, but to do so she’d be using her office for her own personal gain. “I must find some way to realize my ideals without sacrificing my husband. I must struggle on somehow for the sake of womanhood!”

People from different areas of Rio de Janeiro, Brazil, try to answer the following question: for you, what is it like to live in the Marvelous City?

Synti, is a wry film about themes like sense of guilt, sin and the role that morality plays in choices that people make every day. By setting day-to-day events against the background of the seven mortal sins: pride, wrath, jealousy, lechery, stinginess, idleness and gluttony.