Made for Underground Zero: Independent Filmmakers Respond to 9/11 This short video is made up of portraits taken from the fliers posted on the streets of New York following 9/11.

Made in 1969. 1min. 16mm. Black and White

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside & outside light in the summer and the shower. –M. K.

Paul B. Preciado says 'Trans bodies (...) though living, speak in languages unknown to the coloniser, they have dream spsychoanalystes are unaware of'. Through creation, the artist does a live performance of synthesizing a 'woman'.

Shot and edited on Super 8mm Fuji Velvia Pro, hand processed as color reversal at the Gowanus Darkroom, transferred by Metropolis Post.

Shot/Edited on 16mm film stock, Processed by ColorLab, Transferred by Metropolis Post.

Strange comedy, whereby aliens crashland on Earth.

Untitled takes an intrigued look around and reports on how things appeared then and what everyone was up to. Lines from a poem by John Ashbery cross the screen at times and our grasp of his elusive language is strengthened by the accompanying images. The land and people of Maine, New Mexico, and New York City appear to wittily chosen music by Busconi, Duke Ellington, Merle Haggard, Philip Glass, Cecil Taylor, et al. There are heroic hang-gliders soaring over hills, cars streaming sweetly around a corner in Lower Manhattan, and Yoshiko Chuma's dancers in fierce rehearsal, performing with vulnerable whimsey at a traffic intersection and frolicking intently (and unclothed) in the woods.

A light study of surfaces, shapes and colors, ending with a silhouette shot of a woman's mouth

This surfing film from Taylor Steele has the best of never been seen before footage dug deep from the archives of the Poor Specimens vaults.

A short animation film by Lewis Klahr.

A contemplation of the Anthropocene using found footage sourced from the Internet Archive.

"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival where they managed to record the headset chatter between themselves and the two male projectionists working the event. Over the course of 12 short minutes, we hear the men continually berate Dinçel, ignoring their specific knowledge of film and dismissing them when they correctly diagnose technical problems." - Michael Sicinski (from Cleo a Journal of Film and Feminism)

“Joie Lee describes this heartbreaker as ‘an epistolary exploration of my mother’s untimely passing’” (Amy Taubin) Screened at MoMA in April and May of 2023. https://www.moma.org/calendar/events/8726

In a studio space a camera reenacts cinematic movements in reference to film history equivalents. Without use of any actors, props, scenery or obvious motivation, it’s rhythm promises something unknown that is not redeemed.

A poignant articulation of introspection and alienation, over a crisply edited montage.

A highly experimental film which uses a kaleidoscope array of techniques to question the representation of space in film. The film can be read as an existential journey through interior spaces or as a phenomenological inquiry into the relationship between what is seen and the act of seeing.

A short experimental film playing with notions of manipulation.

An internet troll will find out exactly what it means to be on the receiving end of the hate he metes on social media