Archival images and a contraflow of texts trace the migration of the artist’s great-grandfather from England to the Canadian prairies. Using the shadow play of light and darkness as a metaphor for human memory, unfinished passages reframes this forced immigration/orphan experience through the developing lens of the cinema.

This video follows the crash on the close, when Tim and Steve receive a call for a journey, to Wales. They get more than they expected as Terry Gibson is after them, and they are in the middle of nowhere with no way of getting out.

The Unfinished Return of Yu Man-hon focuses on Cici Wu's cultural imaginary and extensive research into the unaccountable disappearance of Yu Man-hon, a mentally disabled and an autistic boy who crossed the Hong Kong-Shenzhen border into the mainland and disappeared on August 24, 2000.

Split into three parts and featuring interviews with the crew of SOUTHLAND TALES, including Richard Kelly, the story of how this film was made, screwed over in post-production and still technically is unfinished is told.

Mairéad Farrell was shot dead by the SAS in Gibraltar in 1988 along with two other unarmed members of the IRA in one of the most controversial incidents arising from the Troubles in Northern Ireland. She had just been released from prison the year before after serving ten years for causing an explosion at an hotel near Belfast. The killing of the three provoked an international outcry and eventual enquiry. Due to her youth, her gender and her stature within the IRA, Mairéad Farrell was, unsurprisingly, quickly subsumed into the pantheon of Irish republican martyrs. But behind the mythologizing and demonisation of the time, there was also a real person, a flesh and blood young woman who was prepared to kill and die for her beliefs.

This film is based on retrospective and imagination, text and mobile images, and is also an attempt to re-materialize movies and film devices (apparatuses). During an excursion to Tehran, artists and authors revisited the cinema "street" burned during the Islamic Revolution in 1979. They used pre-revolutionary Iranian films and cinema venues as lenses for analyzing geopolitics and oil politics. Words, archives, mobile images, film materials, and sounds are interspersed with real and fictitious narrative structures, showing "silent" historical manipulation and the post-revolutionary state of Iranian society. The entanglement between war, desire, and matter points to an artificial doomsday "paradise" -- and also asks the audience from the historical level to which the radical revolution is spreading to the present.

An experimental short, shot on 16mm colour film, depicting a creators struggle to make and share their work.

After 26 years of presenting alternative and underground culture, the future of the Horse Hospital hangs in the balance. Its landlords have demanded a 333% increase in rent and the Horse Hospital has been given a deadline to negotiate with their proprietors, otherwise it faces eviction. Here, we contextualize the Horse Hospital’s current struggle in moving image history in an impressionistic, carefully compiled mix, drawing from a rich array of sources, including: broadcast television, community video, corporate video, and alternative film. The material dates as far back as the very early 1960s and runs virtually to the present day. It includes historic reenactments, situationist-style interventions and the recollections of Kenneth Williams.

Ken Sleight watched the place he called home, Glen Canyon on the Colorado River in Utah, slowly drown under the waters of Lake Powell. That loss changed him from an old-school conservative into an environmental activist who will do anything to protect the canyons of the American Southwest. He’s faced down raging bulldozers from the back of his horse. Monkey wrenched? He’ll never tell – but he was the inspiration for Seldom Seen Smith in his buddy Ed Abbey’s classic book THE MONKEY WRENCH GANG. Now in his 90s, he’s still fighting for Glen Canyon Dam to be brought down and the Colorado River to run free. Climate change may make that a real possibility. The film features Ken Sleight, Colorado River Keeper John Weisheit, activist Tim DeChristopher, and never-before-seen footage of Glen Canyon as it was by filmmaker Bill Adams.

Helena, a stage actress is confronted by Ferenc, a Hungarian who left her 15 years before to return to Europe, where he now runs a state-subsidized theater. Though he has brought along his current mistress, he wants to come back to Helena.

A rumination on the Toronto-based artist and video maker Lloyd Wong whose unfinished tapes from the early '90s Chan collages together.

A local Sheriff, Keith James, finds himself on a desperate hunt for vengeance after the loss of his brother. While in the midst of solving the case the truth about his past is revealed making him and his daughter targets. Will vengeance win or will the sheriff's past get the best of him?

A romantic story about two strangers meeting in a cafe and how fun it can be when you think things about each other without knowing.

To cheat or not to cheat is not always a simple problem. David has legitimately helped Bernard with his struggles with arithmetic in the past. Now is Bernard obliged to let David copy his geography paper?

During the early-2000s filmmaker Sean Weathers took 3 projects into production which he would not finish (Gangz vs. Cults, The Erotic Adventures of Samson & Delilah and Escape from Bloodbath Island).

(Iris here, I can't figure out how to take this off of the Letterboxd database, plz no watch)

A short film about two characters who find out that they are connected in multiple parallel universes through an entrancing painting titled, "Oeuvre, Unfinished."

The story of three of Australia's toughest policemen who attempt to climb Mount Everest, and in turn make good on a promise to a mate - the former head of the force's Special Operations Group, Inspector Paul Carr - who died while training for the climb. It explores not only the drive needed to climb Mount Everest but also explores the mateship and honour of Sergeant John Taylor, Superintendent Greg Linsdell and Detective Senior Constable Nick Farr.