A man sets out to retrieve the skeletons of his ancestors, stolen in the 1930s for eugenic experiments.

Agu Sihvka, his friend Juhan Kiilike and other fourth class pioneers are energetic youngsters. Unfortunately their ventures do not always go as planned, and Agu Sihvka there again have to sit down and write an explanatory letter to the head of the class or principal, to report on how things came to so unexpected consequences.

The end of the 90s. To help his sick grandmother, a young racketeer is forced to take money from his old friend, but the feelings that have awakened towards her prevent him from doing so.

Directed by Claire Pei and acted by Pei and Michael Lally in New York, You Give Me an Orange, I Give You a Pie is a short film about a pair of lovers on a New York West City road that has been abandoned. Their relationship is erratic. The short film was filmed with a Bolex 16 mm camera.

A man and a woman are entangled in a warehouse at a company. The man, Yuji, aims to cum inside her, but is met with resistance from the woman. The woman's bodily fluids spill onto one of the mannequins... Immediately afterwards, Yuji comes into the warehouse in place of the two men. Suddenly, a naked woman appears in front of him, wiping the cum from her body. Surprised, Yuji calls for someone to come in, only to find a mannequin lying around the warehouse...

Is a man's life his own?' What would happen if the trace of life disappeared from this world? A shocking fantasy-mystery drama that an elderly man who died and survived an hour later experiences as he rapidly becomes younger every day.

The Time Traveler Courier was assigned by his employer to deliver an item. Along the way, unexpected things happened.

The phrase "Children's hospice" causes many to be taken aback. People try to isolate themselves from extraneous problems, to close themselves off from someone else's grief. One day, fate brought Olga, a successful actress in the past, a mother with many children and a happy wife, to one of these hospices. What could have prompted her to give up her career and start giving all her warmth to other people's children? What inner spiritual motives make people become volunteers and is it so easy to take on someone else's pain?

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Like many, another young Israeli, Rafi never gave much thought to the fact that when he reached a certain age, he would be expected to serve in the Israeli Army and that he would experience active duty in combat. It certainly never occurred to him that he might be injured, and if it did, it never occurred to him that he would be crippled, as he was. Now he must try to learn to cope with a life which is vastly different from anything he ever imagined, and at first he has nothing but bitterness. An older veteran tries to help him learn to cope, and his relatives work hard to adjust as well. However, only his sister-in-law Maya seems to understand his state of mind and doesn't freak out at his easily provoked displays of temper.

A woman struggles to reconcile the prospects of raising her unborn child alone, and her fears become vivid nightmares.

"Miku no Hi Dai Kanshasai 39's Giving Day" was held on March 9 and featured both the original -Project DIVA- Arcade graphics. It was accompaned by "Hatsune Miku Live Party 2012 (Mikupa)" the day before. The event took place at Tokyo Dome City Hall.

In 'Give Time its Due,' Beatriz seeks solace in therapy for her loneliness and pain after a loss. In this journey of self-acceptance and healing, she discovers the power of expression and human connection.

A man and a woman get into a car accident with a witch, who takes out her anger on them by switching their bodies...

Stephen lives in Berlin and is unemployed. Together with his ex-girlfriend he shares custody of his son, Jasper, but while other fathers go with their children to the movies, they browse through their days, collecting old clothes or returnable bottles. Jasper loves his father and covers for him towards his mother and the child welfare office, but it is increasingly difficult for Stephen to bear his own free fall through the German social network. He knows what personal and professional mistakes he has made and as he realizes that he now runs the risk of failing as a father, he decides on a calm farewell and prepares himself for a serious act of desperation.

An idiosyncratic personal reflection on a mythical image of masculinity in cinema and the clash between cinematic representation and real life. Endlessly repeated shots of aeroplanes and paratroopers taken from Alexander Dovzhenko’s film Aerograd (1935) and an absurd anthem to mythical masculine powers are confronted by home video footage with a much less heroic intonation.

Plot Unknown