The true story of the seven weeks that changed China forever. On June 4, 1989, pro-democracy demonstrations were violently and bloodily repressed. Thousands of people died, but the basis for China's future was definitely planted.

It's 1949 and Tiananmen Square is a mess. Overgrown with weeds and thoroughly dilapidated it looks like hell, but it's where Chairman Mao wants to hold the Founding Ceremony for the People's Republic of China on October 1, 1949. And so TIAN AN MEN recounts the heroism, the struggle and the sacrifices of a People's Liberation Army unit as they...clean up and re-decorate the Tiananmen Gate? (Description by Subway Cinema)

A CCTV-commissioned, 8-part series shot between 1988 and 1990, but barred from being released after the events of June 4th. A production of the Structure, Wave, Youth, Cinema Experimental Group, an informal collective of young filmmakers founded in 1989 and devoted to the production of documentaries, that includes: this series' two directors, Shi Jian and Chen Jue, as well as Wang Guangli, cinematographers Wang Hongyou and Zhao Baohong, and others like Meng Weidong and Wang Fei. The series documents various aspects of life surrounding Tiananmen: survivors of the imperial era, street performers, grandmothers cooking for their families, fledgling entrepreneurs, fashion school students, foreigners marrying Chinese nationals, and so forth. Each episode starts with a close-up of a giant portrait of Mao hung over the Square, and proceeds as a hybrid of archival footage, direct cinema, and cinema verité, weaving a permanent dialectic between the present and the past, daily life and history.

The rise of independent cinema in China occurred after the 1989 Tiananmen Square incident. Filmmakers such as Zhang Yuan, Wu Wenguang, Wang Xiaoshuai, Jia Zhangke, and others emerged as representatives of this movement. Over the course of more than a decade, from the 1990s to the early 21st century, they created a large number of outstanding domestic underground films that had a profound impact on the international film industry. However, in China, these films faced restrictions and were unable to be screened in theaters due to a lack of official approval. This documentary conducts interviews with these representative film directors of that era. Through the lens, these directors express their personal journeys in engaging in the art of filmmaking within a forbidden environment.

A montage film juxtaposing Taipei's urban landscape with audiovisual archives of the Tiananmen Square protests, constituting an experimental essay with documentary elements.

In a long-form interview, Kate recalls how she was wounded by gunfire and narrowly escaped death herself as she and her cameraman remained in the line of fire while an estimated 2,000 pro-democracy demonstrators were shot down by Chinese government troops. Kate reviews the reports she made on the ground, with additional insight from leading historian Professor Steve Tsang, and draws on the BBC's archive to assess how film-makers have portrayed China before and after the upheaval.

Kate Adie returns to the scene of one of her most memorable assignments: reporting the massacre of hundreds of civilians in Beijing in June 1989. She hears eyewitnesses' stories.

Between April and June of 1989 the eyes of the world were on Tinanmen Square in Beijing, China, as a series of protests against the ruling Communist Party broke out. The events reached a terrible climax in June as the military opened fire on many of the demonstrators, killing hundreds of people. This program analyzes the activities of the protestors and the military machine that tried to stop them.

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

In 1989, students marched in cities all over China, but it was the demonstrations in China’s symbolic center, Tiananmen Square, that captured the attention of people worldwide. Because of the first Sino-Soviet summit in thirty years, there were more journalists in Beijing than usual and the Chinese authorities initially permitted easier satellite access. This segment shows how journalists worked to grasp what was happening and to help their audiences understand the issues and forces at play, ultimately including the violent suppression of the protests.

This documentary short film by Arthur Kent recounts the June 4, 1989 assault by the People's Liberation Army on pro-democracy demonstrators in Beijing's Tiananmen Square.