Threshold was a science fiction drama television series that first aired on CBS in September 2005. Produced by Brannon Braga, David S. Goyer and David Heyman, the series focuses on a secret government project investigating the first contact with an extraterrestrial species.

Within the framework of social drama, the events of the series revolve around a grandfather and his relationship with his grandchildren

Celebrated heart surgeon Thomas Vrain supports the research of an offbeat scientist who has invented an artificial heart. Against the advice of the Ethics Committee, Dr. Vrain decides to perform the first artificial heart transplant.

A low-level office clerk works for an enigmatic corporation that helps people escape to other realities. But when he takes a bribe to help a woman flee from mysterious pursuers, he unintentionally puts his own life at risk.

Alien seeds hitch a ride to earth in a space shuttle crew and begin to grow. When their numbers reach the Threshold amount they will be an unstoppable swarm.

A sister, claiming to be cursed, persuades her brother to embark on a cross country road trip to break her spell.

Spanning 20 years, from 1990 to 2010, the series tells of three entrepreneurs who founded a company together to achieve the ultimate goal of developing a pollution-free town in Hong Kong. Through the years, they face many struggles, but most particularly, the family vendetta between two of the company founders.

It's been thirty years since Joan (Mad Men's Talia Balsam) & Susie (Only Murders in the Building's Linda Emond) stood before their closest friends to celebrate at a small wedding, decades before their union would become legally recognized. Now, in front of children and chosen family, they cross a different threshold.

When a seemingly normal malfunction occurs when trying to close his garage door, frustration changes to fear as Mike gets to grips with his vulnerability toward the unknown beyond his door and the possibility of a presence that wants to get in.

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

An Armenian film director location scouts for an upcoming film on the history of the movement of ideas and contagion along the ancient trade networks which connected the historic Armenian capital of Ani to the world. Along the way he encounters the complex geopolitical realities which impact the region.

A love torn young man meets an immovable object.

Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.

Blaming herself for her son's accidental death, a young wife risks redemption at the hands of an otherworldly intruder who appears in her home during a night of apocalyptic events and somehow knows every detail of her guilt-ridden past.

In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?

Every day thresholds are crossed both literally and metaphorically. This action helps to define decisions made and, in turn, lives that are led. However, even if enticing or inevitable, there are times when crossing a threshold might be better delayed or avoided.

The edge of a season, awaiting a crossing.

Two sisters are disturbed by odd noises at night.

A detourned love poem by Ocean Vuong remixed for Palestine. The root of it all is a calling, a voice, which is followed through Gaza markets and tunnels until the cause of liberation can be seen clearly and embraced. Why do birds suddenly appear?