When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.

A British musical film directed by Victor Hanbury and Ladislao Vajda

A struggling family’s dynamics are challenged and a unique friendship is born when a small-town Texas handyman becomes caregiver to their son with cerebral palsy.

Yakov Koreshnikov, a border guard with extensive experience, is leading an operation to detain a group of foreign agents. Back in the 20s, he participated in the liquidation of the Basmachi gang. Then he first met the traitor Abzal. During the Great Patriotic War, Koreshnikov again had to face him. The saboteurs sent to the Turkestan highway area were then destroyed, but Abzal managed to escape. And here is their last meeting...

John Harley leaves his milkman job to take possession of half of a cattle ranch while waitress Sallie Summers goes west on a similar mission to take her half of their shared inheritance. Together, Harley and Sallie fight for ownership of the ranch with foreman Buck Osborne and his gang, who, to scare off the new owners, stage fake holdups, Indian battles, and gunfights.

Where The Hell Are We And What Day Is It... This Is Static-X is a rockumentary DVD that was set to be released in 2001 by industrial metal band Static-X. It features behind-the-scenes and live footage, along with all of Static-X's music videos and an audio-only concert. Due to the live footage being recorded at Ozzfest, Sharon Osbourne threatened to sue the band if the DVD was released. Therefore, it was prevented from ever hitting store shelves. It is very hard to find and roughly only 500 copies are in existence.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.

Experimental, one take

Over the spring, summer, and fall of 2020 while COVID restrictions came and went, six people with lived experience of homelessness in Edmonton, Alberta told their stories in their own words. Those words formed five-minute monologue scripts, and the original interviewees reviewed the text, and made changes where they wished. Over the fall of 2021 and winter of 2022 actors rehearsed and recorded those monologues to camera.

A tribute to Charles Lum’s life told through his work as a film maker. Featuring Super-8 films Charlie shot as a teenager in the 1970s up to the last film he made about his battle with AIDS related lymphoma. Charlie AKA Clublum was a much-loved and valued member of our queer and film community, whose films defied the taboos and stigmas of sex, sex in public places and sex with HIV. His films embody a quirky earnestness and a wacky and wicked sense of humor and always the utter delight and pleasure of another body.

A brief portrait of frailty and hanging on

An important day in the life of Malcolm, the forlorn collector of humanity's lost objects.

Feature film.

Humanity knows two types of logic: male and female. In the new TNT show, we do not push them together, but rather make them work for one common result. Star couples, partners on the set, just good friends and acquaintances will together try to build logical links between the most seemingly illogical events, objects or facts.

The final ever concert performed by The Blackout at Merthyr Tydfil Leisure Centre on 28 March 2015. The film also includes a feature length documentary telling the story of the band.

This Is Where I Came In is the Bee Gees' 22nd and final studio album (twentieth worldwide), released in 2001. It is the only album of all-new material released by them on the Universal Music label (which had acquired the rights to the group's releases on Polydor Records when they bought that label's parent PolyGram). The album peaked at #6 in the UK, while the single, "This Is Where I Came In", reached #18. In the US, the album peaked at #16. The group appeared on the A&E concert series Live by Request in April, 2001 to promote the new album.

A priest visits an unrepentant death row prisoner, as the two spend time together the priest comes to understand the prisoner, and the prisoner begins to come to terms with his inevitable death.

This is where they die

Journey through a vibrant, bustling literary world.