A mockumentary examination of Shakespeare's greatest tragedy using "breaking news" style interviews and commentary.

A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.

The series takes place in the Askar hamlet between two families, the Ouf family has the land and history, while the Shalaby family work as mercenaries and used illegal methods to create false history for themselves. Will they succeed or roots and origins can't be forged?

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?

Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.

The adventures of Hamlet who, following many adventures, manages to kill Claudio the usurper, marry Ophelia and be elected President of the Republic.

The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

On his way back from the Civil War, Johnny Hamilton is visited in his sleep by the ghost of his father who lets him know that he has been murdered and who asks him to avenge him. Back in the family ranch, Johnny finds that not only has his father been killed but that Gertrude, his mother, has married her late husband's brother Claude. The latter is now the owner of the ranch and of all the properties of the deceased. Polonius, a ruthless bandit, is supposed to have killed Johnny's father. But couldn't it be Claude...?

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle.

A corrupt village commissar insists on mounting a production of Hamlet. The clever local teacher, however, casts the son of a man framed for theft as Hamlet, and the commissar as the usurping king, leading to a climax of truly Shakespearean proportions.

The "Hamlet" in this well-mounted Italian spoof is the Danish prince, not a small town or village. The movie irreverently draws on both the Shakespeare play and the 1877 story by Jules Laforgue. In the story, Hamlet (Carmelo Bene) is a would-be playwright. He suffers from inept Freudian analysis by Polonius (Pippo Tuminelli), and Ophelia and Gertrude (Isabella Russo & Luciana Cante) are women conjured up in his erotic imagination.

Hamlet returns home from drama school in United States, after the cold-blooded assassination of her father by her uncle, who has married Hamlet’s mother. After seeing her father’s ghost, Hamlet decides to feign insanity, in order to get to the truth.