The film is dedicated to the centenary of Alexander Galich. One of the great trinity of bards Galich - Okudzhava - Vysotsky, who for decades determined the social and intellectual climate of the country. The authors of the film tried to understand how it happened that he, a recognized playwright and screenwriter, challenged the authorities and chose the fate of a disgraced bard, an idol of informal culture, went his way from well-being to rejection, to unofficial glory? He was forced to leave the USSR, three years later he died tragically in Paris, and his songs keep coming back and coming back to us.

An old lady named Jane, believes she is Tarzan's widow. She wears a leopard skin bathing suit under her black coat when she visits the zoo to talk to the animals, and keeps African mementos in her home. She also has pictures of famous screen incarnations of Tarzan, including Johnny Weissmuller, Lex Barker, etc. up on the walls of her flat, and longs to 'return' to Africa and visit 'Tarzan's tomb'.

Magnar and Oddny Kleiva have led their entire lives on their small mountain farm in Norway, seemingly unaffected by the riches of modern society. One day relatives from the US come to visit, and invite them to see where their grandmothers sister emigrated to in 1890. But will the brother and sister in their seventies dare the long journey, having barely left the county before?

The siblings Magnar and Oddny never left their childhood home. They run the family farm as it was run by several generations before them. Time seems to be standing still, as it is running out.

An omnibus horror film by an Okinawa-based filmmaker, the "Always Friends" version. Hiromi was murdered, leaving a distorted photo on the line. At the same time, Akane, a psychic medium, confronts a certain vengeful spirit. In addition to "Always Friends," the collection also includes three other works, "Aishii no Red Monster-sama" and "Code.

A cynical take on "happily ever after"

A project that plays at being a bestiary, but also a diary, but also a tragic tale. Film made by manipulating Super8mm footage, Cinexin tapes and drawings without fate nor destiny.

How do these people live, how do they endure the confinement and pain of the country's borders ? Under the splendor of the landscapes we can feel the constant threat of a cold war In the heart of Caucasus. The villagers have learned to live with the sound of reports, while knowing that the next bullet may be for them. Scenes from ordinary life, in a country where the threat of war may never be forgotten: yet a feeling of life prevails: resident forever, forever. This film talk about the current state of the world and humanity with respect to imposed violence, in a set of border areas.

It is the first time that Leïla Shahid has agreed to a portrait. At a time when news images blind us and fuel debate, this film takes a step back and looks at the history of a land torn apart, through the personal story of a unique ambassador. Hope and peace are still the key words of the woman who has, for over 30 years, pleaded the cause of the Palestinian people in Europe.

Nobody is as confident as they look!

obviouslynothinglastsforever

A boy from a small town, just out of his teens, tries to find himself by revisiting his parents’ divorce, which happened when he was a child. He plunges himself into memories of the past, fantasies of what could have been, and talks openly with his mother and father, trying to find the strength to heal and forgive.

Starting from the life of the filmmaker Julio García Espinosa, the documentary is projected towards a reflection on the emergence and development of Cuban revolutionary cinematography, its struggles, contradictions and confrontations with dogmatic thinking that at times seems to dominate the Cuban political-cultural spectrum, the always difficult, risky and necessary relationship between officials and artists, and the close and united defense of filmmakers around their film policy.