This is the look that the film about Eduardo Gageiro takes. A film that departs from the stories of two images and that moves on crossing them with the ones that come out of the construction of his latest book. A film that shows how the deep Portuguese look of this photographer has seen the transformations of his country and of the world in the last 60 years. A look that has imagined what the photographer has seen and shot: the kiss of Maria to Salazar’s dead body in 1970, the kidnapping of the Israeli during the 1972 Olympic Games, the turning-point in the 74 revolution and the seductive revelations of the portraits from 1995.

In a futuristic world, everyone has a chance to meet with a decesased loved one for 10 minutes.

Using mixed techniques and experimental elements, the director intends to explore the relationship between him, the cinema, the actor and the spectator.

The film tells the story of young people in their early 30s; it speaks of their past and present romantic relationships and their attempts to find their way in life, one based on true feelings and decisions. Rather than well-set relations, which obstruct the vital flow of life, it seeks a direct contact with the world and other people.

The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.

The movie tells the story of Tian Xiaole (Chen Yao), who only thought about the "60-point pass life" female man, after meeting Cheng Daye (He Haochen), the savior with a "100-point halo", his life began to change dramatically , And willingly act as the "iron buddies" of each other, secretly falling in love with Cheng Daye in the name of friends, but in fact the two of them have always hidden the most sincere feelings for each other in their hearts. After all the ups and downs, waiting, and misses in life, returning to the beginning of love, it turns out that love at first sight is the simplest thing in the world.

Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.

Gonzalo, now 18, chooses not to take his deceased father's car, even though it was expected that he would. This unexpected choice perplexes everyone, especially his mother. The car becomes a symbol of an unresolved family wound, only to heal when Gonzalo honestly admits to his mother that he doesn't remember his father.

Roger is an actor who fears being forgotten. Through metalanguage, it seeks to leave an interesting message to the audience watching the film ... But it's simply 15 minutes.

Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.

Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.

Matsumoto's last video was produced by Sano Gallery. Matsumoto set the common theme as “Seeing” in 2009, six co-writers participated to directing the omnibus film, "Seeing". Initially, there were no plans to expand it into trilogy, and Matsumoto was also limitedly involved in the work. Later, Matsumoto envisioneds works that pursued the omnibus format, and sets up a common theme of "memory.” Afterwards, Matsumoto begun the production of Pilgrimage into the Memory, a reconstruction of works produced by five participating artists. However, the Great East Japan Earthquake occurred while producing the work. Matsumoto shocked by the earthquake and Fukushima Daiichi nuclear accident, he decided to produce a new work, All Things Change, and titled it's trilogy, Toro no Ono Daisambu. The third part, All Things Change, consists of videos produced by Tanotaiga, Kanako Inaki, Hiroyuki Oki, Okuno Kunito, and Tanako Tanaka.

A man thinks about what the world really is, either way, there's melancholy everywhere he goes...

A young man is forced to become a criminal...

"4 precise monologues" about the city where Duchamp, Churchill, Flaubert, Jung, Freud, Mustafa Mond and Sabine Spielrein intersect. Experimental mockumentary by Rostov director Alexey Zakhar is a vital example of how you can, being in the Russian industrial expanses, furnish yourself with antique columns, surround yourself with French geniuses and make a rap for the guys from the district from Lautreamont.

A short film by Guillaume Vallée, Dérapage 2023, selected in the Subjects To Defend program concocted by La Bande Vidéo. "This experimental animation is a metaphor for my anxiety about a world that is changing drastically and becoming more and more unstable. The film was made without a camera on 16mm film."

Three middle-aged women gather at the home of one of them to help her fulfill one of her wishes.

Based on the eponymous tale by Tonino Guerra.The Old Lady loved many things during her life. But now all the things and memories that she collected through all these years don’t make her happy but became more like a heavy burden. After moving to Assisi the Old Lady falls in love with the local cathedral and donates her things that she once cherished so much in order to save the cathedral.

It is intended to show the idea that the act of a villain who wants to embezzle the people's property in a dirty way does not work.

How does it feel when your brother, someone you felt to be the dearest, brightest and most important person in the world, suddenly decides to join an ultraconservative Catholic religious order? Whilst the two siblings had spent time at Christian summer camps – he at the Legionarios and she with the Consagradas – the members of both orders had always seemed rather odd to them. Her brother swore he would never join the Legionaries and that it didn’t interest him at all. Why did he break this pact, what happened to him?