Sometimes we make a request to the Universe, not even assuming that only two ministries answer all people's requests: The Ministry of All Good Things has kind—hearted and goofy people, but the Ministry of All Bad Things, as you can see, has super-efficient managers.

Ever-changing life in a busy modern metropolis brings both ecstasy and sorrow: One night, 24-year-old A Rong by chance helps A Min, a beautiful woman, defending her from group of harassers on the street. A Rong takes A Min sleep in his house, while he himself goes to a friend's house to sleep on the sofa. The next morning, A Rong arrives home to find A Min gone; he does everything he can to find her and ask her to marry him.

While infrasound waves emerge from the emptiness of the Atacama Desert and from the Parisian metropolis, my grandmother narrates the experience of an earthquake we lived through together and reminds us that this invisible and powerful energy has always existed, that it is part of us, of our origin and of everything that surrounds us.

In the small Mexican coastal village of El Roblito, 16-year-old Ñoño lives what seems to be an idyllic existence with his loving family. But he holds a secret. Defying gender norms, Ñoño works up the courage to tell his family he wants to live his life as a woman, a fraught decision in a country shrouded in machismo and transphobia.

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

Sam and Do (short for Dominique) have been together for five years. They enjoy life and are very happy. But then Do gives birth to their son Max. Their whole life is suddenly upside down. Can their love survive after the arrival of their baby?

A forgotten New Year’s Eve, a ghost who suddenly comes to visit and a journey to the gardens of memory. A personal effort to remember the past.

A collection of vignettes from Ostrobothnia.

Everything around us has a story to tell. Shoes, cans, string, mirrors; everything we see and touch has an epic tale of how it came to be invented or discovered, and the dramatic moments throughout history at which it played an important role. But few of us know these stories. We go through our days blissfully ignorant of the deadly and dangerous road brave men traveled in order to bring coffee to the world, or the pivotal part beer played in the civilizing of mankind. These stories and many more are brought vividly to life in this two-hour special, which follows one man on a journey through the last day of his life, examining and recounting the epic tales of the everyday items he encounters before his ignorance of their stories leads him to his ultimate doom.

Three college friends go on a creative retreat in the countryside to finish their dissertations. After university, Jana is planning on moving to Canada to study and Alba and Zoe want to live together. The hours spent together and the questions that emerge at the end of this chapter in their lives will mark their time in the house with nostalgia and an impending farewell.

There are times when creation is not marked by an outlined idea, but it is rather modulated as if it had a will of its own, a voice that constructs its own discourse and is asking to be heard.

A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)

The fundamental questions of human life about guilt, repentance, and redemption are posed in the two documentary essay - about the grief of the women from Sliven Prison who give birth to their children behind bars. Binka Zhelyazkova diagnoses the public through the stories of her heroines. The film does not appear on the screens after their creation, but only after the changes in 1989.

During a film workshop, the filmmakers Astrid and Roozbeh create a conflict with the group of skeptical youngsters who wonder if they are really only used as cleaning staff.

Three young drug addicts are admitted into rehab, oblivious to the fact that the clinic is actually the hideout of a gang of drug dealers.

A young woman, who has almost given up hope of finding love, runs into someone in a cramped elevator. Someone who revives all her longings. The only problem is that she doesn't know he is or what he looks like.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

The new guy of Lisas mother lost his job, sits at home and drinks. As long as her mother doesn't throw him out, she will have to do it herself.

Two thirty-somethings who have been a couple in adolescence meet again after many years. Through a series of fortuitous events, they end up spending the night together, touring the city and trying to reflect on who they were and who they are today.

The fast-driving daughter of a car manufacturer keeps Berlin's most pricey lawyer busy as she keeps getting into scrapes.