An Na is a planner at a start-up company who has trouble with the only developer of the company. She wants to get along with the developer, but he seems to be anti-social. One day, she gets a mission from her CEO to meet "Turtle Egg" who's been messing with the ecosystem of the app they've been working on. And from "Turtle Egg", An Na learns the biggest lesson of her career.

This program reveals what occurs behind the white soundproof sheets of the demolition work often seen on the streets. Venturing into areas typically off-limits, it provides an up-close look at remarkable craftsmanship within these behind-the-scenes locations.

Sitting at his computer, an Argentine director reflects on the metaphysical postulates of British natural historian Philip Henry Gosse, while he experiments with images and sounds saved in his personal database.

A woman named Chieko Kuwano is hired as an assistant manager at a large corporate office in Japan. She’s smart, sexy, and willing to do almost anything for her sex-starved new boss but, since he’s married, his deviant behavior makes her uncomfortable. Fed up with the boss and his perverted ways, the ladies in the building band together to enact their own special kind of revenge… that is, after they have a lesbian three-way slumber party, of course!

An NHK documentary that introduces top professionals who are active in the line. In this work, it adheres to Hiroshi Kamiya, who has had an overwhelming presence in the voice actor industry, for five months. We approach his days of struggle in a harsh world.

In Mark Cousins’ meditative documentary, Lynda Myles, an influential connoisseur of cinema, reflects on her adventures in the film culture she helped establish. From 1973 to 1980, as the first female director of any festival, Myles transformed the Edinburgh Film Festival into a vibrant, iconoclastic mecca of discovery, championing the work of overlooked auteurs including Hitchcock, Sirk and Sam Fuller.

Ilya is 30 years old, he is a confident sucker, and Asa is 25, and she is an insecure beauty. Together, they grab any job in an attempt to survive in the big city and save money for a dream home.

Die Wunder des Films is one of several German films from the 1920s that thematized filmmaking through the re-use of existing archival footage. Other titles include Friedrich Porges’s Der Film im Film from 1924 and the Ufa production Henny Porten. Leben und Laufbahn einer Filmkünstlerin (Henny Porten: Life and Career of a Film Artist) from 1928. These were often classified as “cross-section films” (Querschnittsfilme), because they presented viewers with significant samples (i.e., a cross-section) of a given sector of contemporary film production. But Die Wunder des Films is unique in its focus on Kulturfilm – scientific, educational, and promotional film – rather than the entertainment industry and its stars. The film’s director, Edgar Beyfuß (1893-1936), was not only a producer of Kulturfilms, but also a prolific writer and lecturer on the topic, who edited the monumental Kulturfilmbuch of 1924.

Three old men meet up at the park after work to discuss and carry out "money-free" games that they can enjoy themselves.

Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, his old friend Claudio, who had always regarded working as a worthwhile thing, the war, the partisans.

Ragnar Bjarnasson career spans 60 years. Now at 75 he is ready to examine his career and allow us access to the idol Ragnar Bjarnason who is much loved by all ages. The camera follows him during a grand performance in honor of his seventy fifth birthday and gives us a glimpse of the pendulous chances of his life and career as a singer and performer.