A man uses a case of mistaken identity to gain the confidence of a small village, and in the process exposes universal human traits: honour, greed, honesty, and eventually love.

In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.

Ron recites a poem by Baudelaire from a book he's found on the street. Ti-Red, fresh out of prison, combs every inch of the district in search of his homeless native girlfriend. Marco and Rob, high on crack, have to figure out how to get more money. Daguy, a homeless artist, who has been camping out at the Occupy Montreal camp, wants to find a place to sleep out of the cold. Meanwhile, a spontaneous demonstration is raging in town to protest yet again against the murder by the police of a homeless man. This film retraces the trajectory of seven men in downtown Montreal, the body being their only tool in their attempt to remain alive with some dignity.

One weird guy, accompanied by his ambitious neighbor exterminating some aphids.

In The State of the Grass, the battle that people are waging with their lawn is portrayed. We see that battle through the eyes of a hedgehog and a magpie. The magpie will mainly observe the people from above or from a distance and the hedgehog, on the other hand, sits close to it, scurrying through the plants. The people who will be observed are everyday people who want to have a perfect lawn. They constantly have to overcome new obstacles in their search for the perfect grass. Through the eyes of the magpie and the hedgehog we experience their frustrations. But also the passion that people feel or the satisfaction when they have solved a problem.

"Stanje Nacije" is a political satire edited and hosted by Zoran Šprajc, and it airs on Fridays at 10:30 pm on "RTL".

In the late 1990s, Margriet was an America correspondent. She was confronted with hate crimes steeped in deep-seated hatred against groups, beliefs, genders and/or sexualities. She returns to America and mixes with people who justify their hatred based on their beliefs.

Working for their master’s dissertation, two history students investigate life in Ottoman Greece. A docudrama series that presents the course of Hellenism over the four centuries of Ottoman rule.

The Kourdic poet Ibrahim Aziz is suspected of being a member of the Kourdic Marxistic Leninistic Front and enlists the help of his lawyer Wies to receive political asylum in the Netherlands.

The father, who “ran, ran, and flew” from the source of the Mekong River, sings to his young daughter. Yangchen, who lives in India, meets with her sister, who has returned from France for their mother’s funeral, and reveals the wounds she could not share with their parents. After a brief encounter with his old friend Jigdal, who has come from America, Thangka artist Sonam suddenly feels as though his simple life is too shabby. And Tenzin who lives in Wisconsin arrives in Dharamsala, where he spent his childhood, carrying his father’s ashes.

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

Poland, 1990. The first euphoric year of freedom, but also of uncertainty for the future. Four apparently happy women of different ages decide it's time to change their lives, and fulfill their desires.

This film traces a geography of the soul of ten men whose spirit flickers above the contemporary wreckage of life.

South Africa, July 11th, 1963. Several members of the African National Congress, an organization declared illegal, are arrested in Rivonia, a country house near Johannesburg. The detainees, along with Nelson Mandela, imprisoned since 1962, are charged with serious crimes for their radical activism against the apartheid regime…

A woman must deal with the devastating effects of having a murderer for a brother.

In the border zone of the Soviet-Polish state border, gangs of the Organization of Ukrainian Nationalists operated. Captain Olkhovik was given the task of infiltrating the OUN gang.

Someone is killing Parisians of Arab ethnicity. When an Algerian diplomat is murdered by the same assailant, two Algerian detectives are sent to help the French with the investigation and they have their own ways of doing things.

A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.