The Russian documentary film features a monochromatic wedding in the Deaf community of Saint Petersburg.

Yan Xin is an ordinary white-collar worker. He really likes to have sex with different guys. Yun Fei is a stalker, following, taking pictures and spying on others' privacy is his biggest hobby. From time to time, Yun Fei became curious about Yan Xin and started to follow him. During a date, Yan Xin met a pervert and his life is in danger. After witnessing everything, what should Yun Fei do?

This heterodox work draws on fiction resources and the register of documentary to denounce the phenomenon of rape in Mexico. With a complex essay-like structure, the film is a reflection on the various types of sexual violence, from the classist legal apparatus and the connivance of religious institutions, to rejection of and discrimination against victims. At the same time, it introduces community alternatives for victim support. A project by “Cine Mujer,” this film exemplifies the group’s motto and mode of production, and thus one of the maxims of feminism: no personal solutions; only collective action for collective solutions.

Every sentence about grandma is like a loss. She didn't talk much - certainly not about what moved her. It is only after her death that I use this film to search for how war and violence affect relationships and create silence. In everyday life, in the household and in the family. Digging out, looking for continuities, creating continuities lies this film’s soul. A tender portrait that takes us back to a time, which still resonates with us today.

Peek into the Orthodox Jewish ritual "mikvah" about the family purification bath after menstruating.

TV version of the acclaimed stage production of Viña Delmar's script for the film Make Way for Tomorrow.

A boy struggles against his stifling family life during the 1954 Guatemala coup.

Uíge, Angola. Inside a Portuguese catholic seminar, different forms of silence are experienced. A place inhabited by multiple sonorities and images that wander from nature and meditation to colonial impressions.

Two refugee siblings are separated in different parts of the world. The impossibility to meet in person due the pandemic, forces them to share their grief of their mother’s death in diaspora, through an online call. In their grief, long kept secrets unfold and threatens their relation to tip over into hatred and guilt.

A suitcase full of photos, diaries, phonebooks and a tape with Finnish tango sets Swedish filmmaker Frans Huhta off on an odyssey to get to know his deceased mother and come to peace with a heritage in the shadow of a suicide "The sudden loss of someone who was close to you, who was recently tingling with life in every cell, cannot be described in words. And maybe that's why I was compelled to make this film. As if the need to communicate the inexpressible had taken this path, or rather forced its way up to the surface. Silence will never be an option. This film is a bridge, a meeting place, a starting point for a dialog about what must rise to the surface, about what we can't put words on." - Frans Huhta Karlsson

O SOM DO SILÊNCIO documents the lack of communication between people of different generations, using the example of ten-year-old Binho and his father Osvaldo.

Yuna is depressed and is beginning to lose everything around her. Her sister Alyena does everything she can to help her little sister, even if that means risking her relationship.

In Siwan, a small town in Bihar caught in the vice-like grip of a political strongman, student activist Chandrashekhar Prasad is assassinated in broad daylight for daring to speak out. Back in Delhi, the Jawaharlal Nehru University campus erupts on hearing this news about its former student union president. The students come on the streets to protest the inaction of the administration in spite of eyewitness accounts identifying the perpetrators, and they, too, are met with police water cannons and lathis. In that moment of protest, emerges an idea: to create a testament of Chandrashekhar's courageous and principled brand of politics as a tribute to him and as a mirror to the state of society and politics around. Several television professionals and Chandu's friends get together and, from the footage of television channels on Chandrashekhar, a documentary is created that pulsates with urgency and a purity of purpose that communicates itself to viewers to this day.

The mute documentary-experimental film "Ten Minutes of Silence" is a film expression of the trends embodied in the painting "Black Square" by Malevich and J. Cage in music.

Sabie lives with Valentin in an inhospitable place. After years of abuse and prolonged depression, Sabie waits for a divine sign to give her permission to take her husband's life and then her own.

While preparing for her first, big piano concert, Laura gets diagnosed with a serious inner ear disorder, that inhibits her ability to play properly. At home, things are falling apart, when Laura and her mom get into a big fight.