Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Together filmmaker Nathalie and her friend Fabienne venture into a world of memories and forgetting: Fabienne to prepare for her departure from life and Nathalie in order to face it.

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

An essay film about separation, through the director’s experience as a child of divorced parents. We observe them in their workspace as the director narrates the story of their meeting and separation as a natural progression of life, despite the trauma that inevitably follows her.

The silence can be more thunderous than many screams. Even when we lose everything, there is always something left.

A group of volunteers sets out to return the possessions of those who died of covid in the early stages of the pandemic to their loved ones.

Employing archival materials, interviews, and 16mm and digital film, the experimental documentary explores the political and cultural forces that have come to bear on the site—from its halted construction to its imposed abandonment and attempted reappropriations. How has architecture been instrumentalized in the ongoing construction of a national narrative? What is the role of architects in shaping society within corrupt ecologies of power and failed financial engineering? Film becomes a plastic medium to reframe the positivism of urban masterplans and architectural monuments and formulate a social critique. Modern structures under threat of collapse stand in as protagonists to tell the story of a promised metropolis that never came to be, while the fairground acts as a lens to look at implicit collapse beyond the perimeter of the site.

Thai horror film.

A female office worker stands up for revenge after being bullied and raped, and kills and kills and kills in this revenge thriller.

Within the framework of the drama, the events revolve around a wife who faces many difficulties with her computer engineer husband, and works hard to stabilize her family despite the problems surrounding her.

Set in a distant barrio, a strange skin disease throws a tight-knit village into turmoil. At the heart of their struggle stands an ancient tree believed to be miraculous. Locals flock to it, leaving clothes as tokens of faith and exchanging names with it in hopes of healing. As her mother battles the skin disease, a little girl named Sabel begins to realize the tree’s importance amidst the looming danger of its disappearance in a community desperate for healing.

Elena, a 77-year-old woman, decides to put her son, who has an intellectual disability, in a social care centre. The decision turns out to be harder to bear than she imagined.

The story centers on two lone survivors of a bizarre accident that reduced most of the world's population to zombies. They take refuge in a vacant casino and fight a losing battle against the undead.

The students of a college film class make an erotic horror film at a vacant mansion owned by the director's father. And we bet you can guess what happens next! Naturally, they soon discover an ancient horror, and one by one, these wanna-be filmmakers fall victim to ageless vampires and their thirst for blood. Soon, most become monsters themselves and start "sampling" the others.

Technological change has transformed the world of photography and the photographer's skills. Joan Fontcuberta had to evolve in his discourses and strategies to interpret a changing world and review the creative framework that he himself had designed in the 80s, questioning the Remains of Photography.

The severe earthquake in February 2023 has also brought northern Syria back into the international spotlight, a region that has long gone largely unnoticed. Yet a conflict has been smouldering here for years that could escalate at any time and have international repercussions: The terrorist organisation known as IS, which had its stronghold here and has been defeated militarily, could regain strength from here.

In 1990 poet Maria Luisa Spaziani (Turin, 1922 - Rome, 2014) published one of her more experimental works, the poem in heroic verse "Giovanna d’Arco" (Joan of Arc). One of the distinctive elements of the book is the invention of a language: Joan speaks with an angel, who addresses her in a non-existent language. The angel who embodies such voice is, for Spaziani, poetry itself, that is, that force that constantly presses the boundaries of language and the speakable, deforming such boundaries, revealing glimmers of unexplored areas of pure voice. The film features images of sea landscapes and a series of audio recordings of fire, two elements that constantly recur in the path Spaziani traces along the trajectory of her enunciation.